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Jennifer Aniston

Film Review: Horrible ‘We’re the Millers’ Wastes Huge Potential

CHICAGO – There was a point in “We’re the Millers” when the story fell off the table like a Slinky from a mountaintop. It’s as if other writers took over from a far superior dark comedy, and injected “heart” and middle age “stripping.” This all adds up to a difficult 110 minutes of lost life time.

Blu-ray Review: Take Trip Off the Grid with Funny ‘Wanderlust’

Wanderlust

CHICAGO – David Wain’s “Wanderlust” got screwed by Universal. There’s no reason that a movie this generally funny, smart, and enjoyable should only make just over $20 million worldwide. It’s the kind of solid comedy that is guaranteed a wider audience on Blu-ray and DVD. And the Universal Blu-ray is a strong enough one to help deserved word-of-mouth grow.

Film Review: Paul Rudd, Jennifer Aniston Take Funny Trip to Hippie Nirvana in ‘Wanderlust’

CHICAGO – David Wain’s “Wanderlust” is a deeply flawed movie. The female lead is woefully underwritten and the script pretty much falls apart at the end as characters do things they wouldn’t do and it rushes to its credits to wrap everything up in an awkward montage. But here’s the thing – it’s also DAMN funny.

HollywoodChicago.com Hookup: 50 Pairs of Chicago Passes to ‘Wanderlust’ With Jennifer Aniston, Paul Rudd

Wanderlust with Jennifer Aniston, Paul Rudd

CHICAGO – In our latest comedy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two movie passes up for grabs to the advance screening of the raucous new comedy “Wanderlust” starring Paul Rudd and Jennifer Aniston!

Trailer Tracking: ‘Wanderlust,’ ‘Safe House,’ ‘This Means War,’ More

CHICAGO – Now that we’re so close to the holiday season, it means that the whole movie trailer landscape has changed yet again. We’ve spent the last three months watching the previews for the Christmas season blockbusters and the end-of-the-year Oscar hopefuls nonstop.

Blu-Ray Review: Stellar Comedy Ensemble Rocks in ‘Horrible Bosses’

Horrible Bosses

CHICAGO – The summer of the R-rated comedy, which was SO clearly inspired by the success of “The Hangover” and its sequel, was an interesting case of the law of diminishing returns. If you over-saturate a market, critics and viewers will turn away. By the time that “The Change-Up” and “30 Minutes or Less” thudded into theaters, we all remembered why they don’t make that many R-rated comedies in a year any more — most of them are dumb. Looking back on the trend, two films stand out as the R-rated comedies of Summer 2011 — the widely-beloved (and a bit overrated) “Bridesmaids” and Seth Gordon’s very-funny and consistently-entertaining “Horrible Bosses,” recently released on Blu-ray and DVD.

Film Review: Talented Cast Carries Dark Comedy of ‘Horrible Bosses’

CHICAGO – There’s a theory that a film that should be judged based on how well it succeeds at what it attempts to do. If it’s a comedy, does it make you laugh? “Horrible Bosses” has some issues but it is an undeniably funny movie.

Blu-Ray Review: Adam Sandler’s ‘Just Go with It’ Not Worth the Time

Just Go with It

CHICAGO – In the realm of wasting time watching terrible movies, Adam Sandler provides a nearly 24 hour festival. His latest effort, just released on Blu-ray and DVD, is the horrendous, talent wasting “Just Go with It.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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