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Jeffrey Friedman

Film Review: Notoriety Triggers the Breaking Point in ‘Lovelace’

CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’

Film Review: James Franco as Allen Ginsberg Unleashes a Primal Scream in ‘Howl’

Howl, James Franco

CHICAGO – “I saw the best minds of my generation destroyed by madness, starving hysterical naked…” So began the reading of Allen Ginsberg’s poem that rattled society, the very title of which is the inspiration for the new film, “Howl,” featuring James Franco, Jon Hamm and Mary Louise-Parker.

Interviews: Directors Rob Epstein, Jeffrey Friedman of ‘Howl’

CHICAGO – The seismic shift that took place with the publication of Allen Ginsberg’s epic poem, “Howl” – which is also the title of the new movie about the verse – reverberates and inspires to this very day. The brilliantly rendered film, starring James Franco as Ginsberg, is written and directed by Rob Epstein and Jeffrey Friedman.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Drunk History Seasons 1 & 2, 2014

    CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.

  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

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