CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Jeffrey Dean Morgan
CHICAGO – In the last days of August 2012, three generically titled ghost pictures had the misfortune of opening at more or less the exact same time. None of them were particularly memorable, yet only one managed to produce any semblance of genuine chills. There are enough eerie moments in “The Possession,” the demonic thriller from gifted Danish director Ole Bornedal, that one wishes that it pushed past the boundaries of its tame PG-13 rating.
CHICAGO – Given the state of the post-9/11 world, and the delicate negotiations between nations, remaking “Red Dawn” posed a considerable risk. But the film takes a ‘“damn the torpedoes, full speed ahead,” approach, and pulls off an adrenaline rush featuring Chris Hemsworth, Josh Hutcherson and Josh Peck.
CHICAGO – When we last saw teen idol Josh Peck (“Drake & Josh”), he was selling special ice cream in the 2008 film, “The Wackness.” That film established him as an actor who could handle more adult themes. He expands further in the action movie “Red Dawn,” playing a student turned soldier.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the highly anticipated “Red Dawn” with Chris Hemsworth!
Film Review: Real-Life Backstory of ‘The Possession’ More Titillating Than Cinematic Dybbuk DramatizationSubmitted by HollywoodChicago.com on September 2, 2012 - 10:43pm
CHICAGO – A film marketing itself as being “based on a true story” doesn’t hold the same teeth it once did. With truly original stories a financial high risk for Hollywood and many films leaning toward being based on a best-selling novel, the genre that is based on a true story or “inspired by true events” has increasingly taken creative liberties.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the new horror film “The Possession”!
CHICAGO – Jane Fonda portraying an aging hippie seems like a slam dunk. She was a 1960s hippie at one time, right? Well, it’s obvious she wasn’t the type of hippie personified in “Peace, Love & Misunderstanding,” co-starring Catherine Keener and Elizabeth Olsen. Nobody was that type of of hippie.
CHICAGO – The new Starz drama “Magic City” is a beautiful show to look at it with its “Mad Men”-esque degree of period detail and half-naked people looking smooth, suave, and sexy.
CHICAGO – Is there anything Chloë Grace Moretz can’t do? She’s earned big laughs as a snarky yet concerned sister in “(500) Days of Summer,” performed her own stunts as a vengeful hit girl in “Kick Ass,” brought startling pathos to the role of a smitten vampire in “Let Me In” and exuded Hepburn-esque grace in “Hugo,” all before the age of 15. Needless to say, her versatility is unmatched by any of her peers.
CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.