CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – There’s no television program that can be more simultaneously brilliant and frustrating as Aaron Sorkin’s “The Newsroom,” returning tonight, July 14, 2013, to start an already-tumultuous second season.
CHICAGO – Aaron Sorkin’s “The Newsroom,” recently released on Blu-ray and DVD, drives me crazy. The HBO drama can be so thematically dense and brings up subjects too often missing from the national conversation but it can also be so frustratingly self-important and deluded in its vision of the way real people operate. Do you give it credit for the topics it raises or smash it for the heavy hand with which they’re delivered? I have high hopes that season two will iron out some of the problems (stories of reshot episodes indicate that Sorkin heard his critics) but I’m still torn on how to feel about season one.
CHICAGO – I clearly loved “Looper” as evidenced by my initial review, interview with Rian Johnson, placement of Emily Blunt on my Best Supporting Performances of 2012 piece, and putting it #9 on my Best of 2012. Watching it again in glorious HD, I had a surprising thought given all of the above — I may have underrated it.
CHICAGO – It’s so refreshing to see a talented filmmaker that has been allowed to bring his unique vision to the screen without compromise. You know the feeling when you’re watching a product of a marketing focus group or producer interference and when you’re seeing something fresh, new, and personal.
CHICAGO – I love Jonathan Demme’s “Something Wild” with such passion that I can recommend the new Criterion Collection edition of the underrated ’80s classic and yet still realize that it’s something of a disappointment. Criterion leads the way in Blu-ray and DVD in every way, but even they can release editions that seem a bit lackluster, and such is the case with “Something Wild.” Pick it up because the movie rules, but don’t get your hopes too high.
CHICAGO – James Franco gave a riveting performance in Danny Boyle’s “127 Hours” that is likely to earn one of the best actors of his generation an Academy Award nomination in a few weeks, but it wasn’t his only stellar turn in 2010. He also thoroughly delivered as the legendary poet Allen Ginsberg in the hybrid “Howl,” a film that’s part poem, part courtroom drama, and part history lesson. It doesn’t always come together but it’s worth seeing just for Franco’s work and the strength of the source material alone.
CHICAGO – In this edition of the HollywoodChicago.com Hookup: DVD, two lucky winners will clean up with two DVDs from Magnolia Pictures for the movies “The Great Buck Howard” and “The Answer Man” plus a full-size poster for “Barry Munday” signed by Patrick Wilson, Judy Greer and director Chris D’Arienzo!
HollywoodChicago.com Hookup: Free ‘I Am Love’ Signed Poster, Magnolia DVDs to ‘Julia,’ ‘Two Lovers,’ ‘The Answer Man’Submitted by HollywoodChicago.com on June 24, 2010 - 9:39pm
CHICAGO – In this edition of the HollywoodChicago.com Hookup: DVD, two lucky winners will clean up with three DVDs from Magnolia Pictures for “Julia,” “Two Lovers” and “The Answer Man” plus a full-size poster for “I Am Love” signed by Oscar-winning star Tilda Swinton and an “I Am Love” soundtrack!
CHICAGO – “Hell is other people!” declares reclusive author Arlen Faber. That’s nothing compared to the hell of fake people, who permeate so many subpar pictures marketed as “indie” entertainment. There’s not a single character in “The Answer Man” that feels the least bit realistic.
CHICAGO – Filmmaker Sam Mendes has always been drawn to telling stories set in a dysfunctional America where the sanctity of marriage is anything but “sanct.” For the past decade, he has specialized in brutally frank social satires about the deterioration of the American family. His work is nearly always riveting, but could never be described as “feel good”…until now.