CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – Jay & Mark Duplass clearly know a thing or two about sibling rivalry. They capture that unique blend of affection and competition in their clever and sweet “The Do-Deca-Pentathlon,” a comedy that didn’t get nearly the attention of recent efforts like “Cyrus” and “Jeff, Who Lives at Home” because of a lack of star power but makes a satisfying rental now that it’s on Blu-ray.
CHICAGO – While the man-child archetype has been cheerfully skewered and celebrated by Apatowian comedies ranging from “The 40-Year-Old Virgin” to “Step Brothers,” this year has so far produced two intriguing indie comedies that take a somewhat more serious look at a developmentally arrested psyche. Neither film is flawless, but they sure would make a superb double feature.
CHICAGO – Writer/directors Jay and Mark Duplass clearly love their characters. Whether it’s the awkward man-child at the center of “Cyrus” or the title character in their new dramedy “Jeff, Who Lives at Home,” there’s a charming affection for these people. I really enjoyed spending time with the quartet of well-drawn, well-acted people in “Jeff,” which makes the fact that their story is less-structured and sloppier than it should be to be effective all the more frustrating. I SO want to love “Jeff, Who Lives at Home,” but this dude is too often stuck in the creative basement.
CHICAGO – The brother directing team of Jay and Mark Duplass have been climbing the success ladder since starting their careers as independent film darlings in 2002. After winning acclaim in 2010 with the offbeat “Cyrus,” they are back with “Jeff, Who Lives at Home,” featuring Jason Segel, Ed Helms, Judy Greer and Susan Sarandon.
HollywoodChicago.com Hookup: 40 Pairs of Chicago Passes to ‘Jeff, Who Lives at Home’ With Jason SegelSubmitted by HollywoodChicago.com on March 7, 2012 - 2:56pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the new comedy “Jeff, Who Lives at Home”!
CHICAGO – I’ve done hundreds of interviews and rarely felt more like I was talking to an actor at a career turning point than when I sat with Jonah Hill of “Moneyball” last week. Having spoken to him at his first career turning point for a “Superbad” interview, it was fascinating to see how he’s changed and matured.
CHICAGO – John C. Reilly and Jonah Hill (and Marisa Tomei and Catherine Keener) prove to be a perfect comedy duo in the nearly-great “Cyrus,” a delightfully left-of-center comedy that allows these two talented men to prove that they have some of the best comic timing in the business. “Cyrus” is a daring comedy about when someone new in your life crosses the line from “eccentric” to “dangerous.” Don’t miss it.
CHICAGO – HollywoodChicago.com recently interviewed brothers Mark and Jay Duplass, the filmmaking duo behind acclaimed micro-budget indies such as “The Puffy Chair and “Baghead.” Their new comedy, “Cyrus,” centers on a darkly funny love triangle between a lovable loser, John (John C. Reilly), his girlfriend Molly (Marisa Tomei) and her frighteningly possessive son, Cyrus (Jonah Hill).
CHICAGO – John C. Reilly, the star of “Chicago,” “Talladega Nights: The Ballad of Ricky Bobby,” “Step Brothers,” and “Magnolia” gives one of the best performances of his career in this weekend’s excellent “Cyrus” and the actor sat down with HollywoodChicago.com a few weeks ago to discuss the process behind this unusual film.
CHICAGO – The “mumblecore” movement, which is the made-on-digital-video movie revolution, has two significant practitioners: filmmaker brothers Mark Duplass and Jay Duplass.