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Jay Duplass

Podtalk: Ike Barinholtz, First Time Director for ‘The Oath’

CHICAGO – The life we have in these “interesting times” is rife with the peril of outside influences… which makes for difficult confrontations with both the known and the unknown. Comic actor Ike Barinholtz (“Blockers”) writes and directs his first film, “The Oath,” dealing with a family Thanksgiving within a Trump-like world.

Interview, Audio: Abby Quinn, Gillian Robespierre & Elisabeth Holm of ‘Landline’

Landline Abby Quinn, Elisabeth Holm, Gillian Robespierre photo by Patrick McDonald

CHICAGO – It takes a collaborative village to make a movie, and part of that collective came to Chicago to promote “Landline.” Director Gillian Robespierre, Co-Writer Elisabeth Holm and debut actress Abby Quinn were essential to the film, which is set in 1990s New York City and features Jenny Slate in the lead role.

Interview, Audio: Actress Jenny Slate Answers the Call in ‘Landline’

CHICAGO – Jenny Slate keeps getting more high profile, both in voiceover work (“The Secret Life of Pets”) and as an actress. Her latest film is “Landline,” her second with director Gillian Robespierre. In the film, Slate portrays an engaged-to-be-married “adult” who is having trouble coming to terms with her life.

Film Review: As Comedy, ‘Table 19’ Only Serves Hor d’Oeuvres

CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com.

Blu-ray Review: Clever, Engaging ‘The Do-Deca-Pentathlon’

The Do-Deca-Pentathlon

CHICAGO – Jay & Mark Duplass clearly know a thing or two about sibling rivalry. They capture that unique blend of affection and competition in their clever and sweet “The Do-Deca-Pentathlon,” a comedy that didn’t get nearly the attention of recent efforts like “Cyrus” and “Jeff, Who Lives at Home” because of a lack of star power but makes a satisfying rental now that it’s on Blu-ray.

Blu-ray Review: Well-Cast ‘Jeff, Who Lives at Home’ Charmingly Meanders

Jeff Who Lives at Home Blu-ray

CHICAGO – While the man-child archetype has been cheerfully skewered and celebrated by Apatowian comedies ranging from “The 40-Year-Old Virgin” to “Step Brothers,” this year has so far produced two intriguing indie comedies that take a somewhat more serious look at a developmentally arrested psyche. Neither film is flawless, but they sure would make a superb double feature.

Film Review: Jason Segel, Ed Helms in Inconsistent ‘Jeff, Who Lives at Home’

Jeff, Who Lives at Home
HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Writer/directors Jay and Mark Duplass clearly love their characters. Whether it’s the awkward man-child at the center of “Cyrus” or the title character in their new dramedy “Jeff, Who Lives at Home,” there’s a charming affection for these people. I really enjoyed spending time with the quartet of well-drawn, well-acted people in “Jeff,” which makes the fact that their story is less-structured and sloppier than it should be to be effective all the more frustrating. I SO want to love “Jeff, Who Lives at Home,” but this dude is too often stuck in the creative basement.

Interview: Director Jay Duplass Reveals ‘Jeff, Who Lives at Home’

CHICAGO – The brother directing team of Jay and Mark Duplass have been climbing the success ladder since starting their careers as independent film darlings in 2002. After winning acclaim in 2010 with the offbeat “Cyrus,” they are back with “Jeff, Who Lives at Home,” featuring Jason Segel, Ed Helms, Judy Greer and Susan Sarandon.

Interview: Jonah Hill Makes Career Transition in Dramatic ‘Moneyball’

CHICAGO – I’ve done hundreds of interviews and rarely felt more like I was talking to an actor at a career turning point than when I sat with Jonah Hill of “Moneyball” last week. Having spoken to him at his first career turning point for a “Superbad” interview, it was fascinating to see how he’s changed and matured.

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