CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”
CHICAGO – He’s not a household name, but he has certainly rocked a few houses…with laughter. Writer/director Paul Feig has a new film called “Spy,” in which he re-teams with two of the supporting cast of his “Bridesmaids” romp, Melissa McCarthy and Rose Byrne. “Spy” opens on Friday, June 5th.
CHICAGO – The “Fast & Furious” franchise of films has probably one of the strangest evolutions in action history. What began as a rebellious street race movie, has morphed into a sort of superhero saga. “Furious 7” amps up that element of it, creating a mythic and magical “Kingdom of F&F Cars.”
CHICAGO – The old man as macho action hero trend has finally calcified. If you haven’t seen either of the two previous “Expendables” pictures – this is definitely not the place to start. Sylvester Stallone’s creaky franchise hits rock bottom.
CHICAGO – Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.
CHICAGO – Sylvester Stallone is a difficult man to comprehend, unless if doing a thesis on male menopause. The one time screenwriter of gritty soul pictures like “Rocky,” “Paradise Alley” and “First Blood” is spending his later years pumping out undistinguished boom-boom pictures like “Homefront.”
CHICAGO – Stephen Knight, the writer of brilliant scripts for “Eastern Promises” & “Dirty Pretty Things,” makes his directorial debut with “Redemption,” opening today in limited release, starring Jason Statham in a role that proves that he has more dramatic range than he’s usually asked to display.
CHICAGO – How could a movie based on a Donald Westlake book that includes Michael Chiklis, Wendell Pierce, Nick Nolte, and even Jennifer Lopez in support of Jason Statham be this dull? It feels like “Parker” director Taylor Hackford set out to make an old-fashioned noir but Statham and his team demanded too much of his square-jawed action. The result is a tonally inconsistent film that’s too silly to be called drama but too dull to be called escapism.
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CHICAGO – The Jason Statham “character” has served the actor well through a substantial action movie career. But as situations to fit his stoic British kick-ass persona start to drift away, Statham is left with messy narratives like in his new film “Parker,” co-starring Jennifer Lopez.