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Janet McTeer

Film Review: ‘Hannah Arendt’ Demonstrates Banality of the Biopic

Hannah Arendt Film Review

CHICAGO – “Hannah Arendt” comes to American cinemas packaged in the sort of prestige that elicits admiration rather than anticipation. Though Margarethe von Trotta is widely regarded as the leading female filmmaker in Germany, it’s doubtful that any audiences outside of her native country are all that familiar with her work. Her new film, “Hannah Arendt,” is so undistinguished that it’s hard to believe that it was made by a director often mentioned in the same breath as Fassbinder and Herzog.

TV Review: Star-Studded ‘Parade’s End’ is True Accomplishment

CHICAGOHBO brings BBC2’s “Parade’s End,” based on the highly-acclaimed novels by Ford Madox Ford, stateside and the star-studded mini-series with a breathtakingly good script from the legendary Sir Tom Stoppard is a must-see for anyone interested in historical drama, quality acting, or the kind of stunning production values usually reserved for big-screen adaptations with Oscar aspirations.

TV Review: Fifth, Final Season of ‘Damages’ Starts with a Bang

CHICAGO – “Damages” is back for its fifth and final season and there’s every reason to believe the award-winning show is going to end on a high note given the strength of the first two episodes of this impressive final arc. We’re finally going to get what we’ve been dying to see since the amazing first season — Patty vs. Ellen in a court of law.

Blu-ray Review: Sleepy Thriller ‘The Woman in Black’ Miscasts Daniel Radcliffe

The Woman in Black Blu-ray

CHICAGO – Nothing jars an audience quite like the sudden appearance of a fearsome apparition in a dimly lit room. Even hokey thrillers like William Castle’s “House on Haunted Hill” still manage to make viewers jump from their seats by using this reliable horror standby. “The Woman in Black” has one such moment, but it is surrounded by a murky sea of grim tedium.

Film Review: Daniel Radcliffe Stars in Chilling ‘The Woman in Black’

CHICAGO – The most important element to the opening of “The Woman in Black” is the Hammer Films logo that caused the legendary Roger Ebert to applaud when it appeared in the screening room here in Chicago. This is a Hammer Film through and through complete with unbelievable character action, loud sound effects, extreme shock scares, and other B-movie manipulations.

Film Review: Glenn Close, Janet McTeer in Melancholy ‘Albert Nobbs’

Albert Nobbs
HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – People who put themselves in boxes often go through their entire lives without meeting anyone who show them what it’s like on the outside. There’s every possibility that the tragically confined title character in “Albert Nobbs” would have remained in her box till her death if not for a chance encounter with someone who shows her that there is another way. The sad drama that follows charts her attempt to break free and realization that it may have come too late.

Film Feature: The Best Supporting Performances of 2011

CHICAGO – Kicking off our annual series of year-end film features, we begin with the ensemble players, the supporting cast members who provided the necessary dramatic support to allow their leading men and women to shine.

TV Review: HBO’s ‘Into the Storm’ With Brendan Gleeson, Janet McTeer

Into the Storm

CHICAGOHBO’s “Into the Storm” is a different kind of WWII movie than audiences have recently become accustomed to seeing. This excellent drama is not about the people on the ground but about the powerful men that made the decisions that determined their fates.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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