CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new romantic drama “Me Before You” starring Emilia Clarke and Sam Claflin!
CHICAGO – “Hannah Arendt” comes to American cinemas packaged in the sort of prestige that elicits admiration rather than anticipation. Though Margarethe von Trotta is widely regarded as the leading female filmmaker in Germany, it’s doubtful that any audiences outside of her native country are all that familiar with her work. Her new film, “Hannah Arendt,” is so undistinguished that it’s hard to believe that it was made by a director often mentioned in the same breath as Fassbinder and Herzog.
CHICAGO – HBO brings BBC2’s “Parade’s End,” based on the highly-acclaimed novels by Ford Madox Ford, stateside and the star-studded mini-series with a breathtakingly good script from the legendary Sir Tom Stoppard is a must-see for anyone interested in historical drama, quality acting, or the kind of stunning production values usually reserved for big-screen adaptations with Oscar aspirations.
CHICAGO – “Damages” is back for its fifth and final season and there’s every reason to believe the award-winning show is going to end on a high note given the strength of the first two episodes of this impressive final arc. We’re finally going to get what we’ve been dying to see since the amazing first season — Patty vs. Ellen in a court of law.
CHICAGO – Nothing jars an audience quite like the sudden appearance of a fearsome apparition in a dimly lit room. Even hokey thrillers like William Castle’s “House on Haunted Hill” still manage to make viewers jump from their seats by using this reliable horror standby. “The Woman in Black” has one such moment, but it is surrounded by a murky sea of grim tedium.
CHICAGO – The most important element to the opening of “The Woman in Black” is the Hammer Films logo that caused the legendary Roger Ebert to applaud when it appeared in the screening room here in Chicago. This is a Hammer Film through and through complete with unbelievable character action, loud sound effects, extreme shock scares, and other B-movie manipulations.
HollywoodChicago.com Hookup: 40 Pairs of Chicagoland Passes to ‘The Woman in Black’ With Daniel RadcliffeSubmitted by HollywoodChicago.com on January 27, 2012 - 3:35pm
CHICAGO – In our latest horror/thriller Chicagoland edition of HollywoodChicago.com Hookup: Film, we have 40 admit-two movie passes up for grabs to the advance screening of “The Woman in Black” starring Daniel Radcliffe!
CHICAGO – People who put themselves in boxes often go through their entire lives without meeting anyone who show them what it’s like on the outside. There’s every possibility that the tragically confined title character in “Albert Nobbs” would have remained in her box till her death if not for a chance encounter with someone who shows her that there is another way. The sad drama that follows charts her attempt to break free and realization that it may have come too late.
CHICAGO – Kicking off our annual series of year-end film features, we begin with the ensemble players, the supporting cast members who provided the necessary dramatic support to allow their leading men and women to shine.
CHICAGO – HBO’s “Into the Storm” is a different kind of WWII movie than audiences have recently become accustomed to seeing. This excellent drama is not about the people on the ground but about the powerful men that made the decisions that determined their fates.