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James Van Der Beek

Film Review: ‘Labor Day’ Provides Meaning to Romantic Tension

CHICAGO – There is a real power when the right filmmaker connects with the right performers. What appears on the surface to be a slight and well-worn story, gains a decided psychological edge. ‘Labor Day’ features Kate Winslet and Josh Brolin, and writer/director Jason Reitman.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Labor Day’ with Kate Winslet, Josh Brolin

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening passes up for grabs to the highly anticipated new drama “Labor Day” starring Kate Winslet and Josh Brolin!

TV Review: ABC’s Promising But Inconsistent ‘Don’t Trust the B---- in Apartment 23’

CHICAGO – “Don’t Trust the B—— in Apartment 23” may seem at first like a cynical, modern program, but it’s really a throwback to sitcoms of the ’70s and ’80s when you think about it’s structure.

Blu-Ray Review: ‘Stolen’ Wastes Talented Cast on Melodrama


CHICAGO – On paper, “Stolen” probably looked like the kind of competent thriller that could get once-rising star Josh Lucas back into the spotlight and prove to producers that “Mad Men” star Jon Hamm could carry a motion picture. Sadly, lackluster direction of what is essentially no more interesting than an extended episode of “Cold Case” squanders the talent of both men, a pair of actors who deserve better showcases.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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