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James Van Der Beek

Film Review: ‘Labor Day’ Provides Meaning to Romantic Tension

CHICAGO – There is a real power when the right filmmaker connects with the right performers. What appears on the surface to be a slight and well-worn story, gains a decided psychological edge. ‘Labor Day’ features Kate Winslet and Josh Brolin, and writer/director Jason Reitman.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Labor Day’ with Kate Winslet, Josh Brolin

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening passes up for grabs to the highly anticipated new drama “Labor Day” starring Kate Winslet and Josh Brolin!

TV Review: ABC’s Promising But Inconsistent ‘Don’t Trust the B---- in Apartment 23’

CHICAGO – “Don’t Trust the B—— in Apartment 23” may seem at first like a cynical, modern program, but it’s really a throwback to sitcoms of the ’70s and ’80s when you think about it’s structure.

Blu-Ray Review: ‘Stolen’ Wastes Talented Cast on Melodrama

Stolen

CHICAGO – On paper, “Stolen” probably looked like the kind of competent thriller that could get once-rising star Josh Lucas back into the spotlight and prove to producers that “Mad Men” star Jon Hamm could carry a motion picture. Sadly, lackluster direction of what is essentially no more interesting than an extended episode of “Cold Case” squanders the talent of both men, a pair of actors who deserve better showcases.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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