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James Van Der Beek

Film Review: ‘Labor Day’ Provides Meaning to Romantic Tension

CHICAGO – There is a real power when the right filmmaker connects with the right performers. What appears on the surface to be a slight and well-worn story, gains a decided psychological edge. ‘Labor Day’ features Kate Winslet and Josh Brolin, and writer/director Jason Reitman.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Labor Day’ with Kate Winslet, Josh Brolin

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening passes up for grabs to the highly anticipated new drama “Labor Day” starring Kate Winslet and Josh Brolin!

TV Review: ABC’s Promising But Inconsistent ‘Don’t Trust the B---- in Apartment 23’

CHICAGO – “Don’t Trust the B—— in Apartment 23” may seem at first like a cynical, modern program, but it’s really a throwback to sitcoms of the ’70s and ’80s when you think about it’s structure.

Blu-Ray Review: ‘Stolen’ Wastes Talented Cast on Melodrama

Stolen

CHICAGO – On paper, “Stolen” probably looked like the kind of competent thriller that could get once-rising star Josh Lucas back into the spotlight and prove to producers that “Mad Men” star Jon Hamm could carry a motion picture. Sadly, lackluster direction of what is essentially no more interesting than an extended episode of “Cold Case” squanders the talent of both men, a pair of actors who deserve better showcases.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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