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Interview: Garrett Clayton for Reeling2016’s Closing Night Film ‘King Cobra’

Garret Clayton, 'King Cobra'

CHICAGO – Closing Night for Reeling2016 is Thursday, Sep. 29th, after Chicago’s LGBTQ+ International Film Festival has presented a week of cinema celebrations. The Landmark Century Centre Cinema is the scene for “King Cobra,” directed by Justin Kelly and featuring Garrett Clayton. The film is a notorious overview of the life of gay porn star Brent Corrigan. Both Clayton and the director are scheduled to appear on behalf of the film.

Film Review: ‘Sausage Party’ is a Hard R-Rated Raunchy Good Time

CHICAGO – First things first. Don’t let the fact this is animated fool you, “Sausage Party” is most definitely, absolutely NOT FOR CHILDREN. This is a hard R-rated Seth Rogen raunch fest that may induce nightmares into more sensitive viewers and contains images of animated debauchery that can not be unseen. But it is inventively profane, with more on its mind than just animated f-bombs.

Interview: Dave Franco is Making Magic in ‘Now You See Me 2’

CHICAGO – Comedy is what makes Dave Franco tick, and recently he’s taken on some prime funny roles in “Neighbors” and “Unfinished Business.” He also was in the very successful “Now You See Me” in 2013, playing a rogue street magician. The sequel was inevitable, and Franco will reprise his role in “Now You See Me 2.”

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘The Night Before’ With Seth Rogen

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated comedyThe Night Before” starring Seth Rogen, Joseph Gordon-Levitt and Anthony Mackie!

Film Review: ‘True Story’ Just Leaves a False Impression

True Story

CHICAGO – Sometimes, just casting a film with “names” is not enough to make it work. Jonah Hill and James Franco play cat-and-mouse for 100 minutes in “True Story,” but the narrative, the structure and their own inability to communicate their characters conspired against the overall experience.

Film Review: ‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

Third Person

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

Interview: Writer/Director Paul Haggis Creates ‘Third Person’

CHICAGO – Not many Oscar winning screeenwriters change the course of their professional lives because of a dream (story below), but Paul Haggis is an exceptionally brilliant writer whose credits include “Crash” (2005) and “Million Dollar Baby” (2004) – which both won Best Picture – and his new film, “Third Person.”

Blu-ray Review: Fan Service ‘Veronica Mars’ Returns Home

Veronica Mars

CHICAGO – A TV movie for the silver screen, “Veronica Mars” is a historical film that was Kickstarted into existence by the will of 91,585 backers. Now, it stands like a crossroads in the intersection between TV and film, showing that what may work in TV doesn’t necessarily make for a great film.

Film Review: ‘Veronica Mars’ Wishes it Was Still on TV

CHICAGO – A TV movie for the silver screen, “Veronica Mars” is a historical film that was Kickstarted into existence by the will of 91,585 backers. Now, it stands like a crossroads in the intersection between TV and film, showing that what may work in TV doesn’t necessarily make for a great film.

Blu-ray Review: Even Villainous James Franco Can’t Save Dull ‘Homefront’

Homefront

CHICAGO – Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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