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James Frain

Film Review: Tensionless ‘Water For Elephants’ Fatally Mismatches Leads, Casts Spot-On Supporters

CHICAGO – While Robert “Twilight” Pattinson has persuasively branched out beyond his typecasting of reanimated and preternatural corpses, his miscast union in the tensionless “Water for Elephants” with pin-up circus spectacle Reese Witherspoon works as well as an elephant trying to spoon a sworn-enemy lion.

TV Review: Self-Serious ‘The Cape’ Misses Attempt at New ‘Heroes’

CHICAGONBC never learns. After not just countless rip-offs but “Heroes” itself tanked, why would they try to go back to a clearly-drained well for another comic book TV series like “The Cape”?

Film Review: Lopsided ‘TRON: Legacy’ is Heavy on Visuals, Light on Humanity

CHICAGO – Every great film is a delicate balance of a number of critical elements. Good films lack in one department while mediocre films have serious gaps that stick out like a red dress at a funeral. The overall mediocre “TRON: Legacy” is exceedingly fixated on its impressive visual effects while neglecting to focus on creating an evocative and humanized story.

New Concept Video, Pictures Released For ‘Tron: Legacy’ With Jeff Bridges, Olivia Wilde

| Image 1 of 8 |
Olivia Wilde (left) and Garrett Hedlund in Tron: Legacy.

CHICAGO – Exactly one year before its scheduled release date, this is an eight-image slideshow and a visual effects concept test video for the new film “Tron: Legacy,” which stars Jeff Bridges, Garrett Hedlund, Olivia Wilde and Michael Sheen.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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