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James Frain

Film Review: Tensionless ‘Water For Elephants’ Fatally Mismatches Leads, Casts Spot-On Supporters

CHICAGO – While Robert “Twilight” Pattinson has persuasively branched out beyond his typecasting of reanimated and preternatural corpses, his miscast union in the tensionless “Water for Elephants” with pin-up circus spectacle Reese Witherspoon works as well as an elephant trying to spoon a sworn-enemy lion.

TV Review: Self-Serious ‘The Cape’ Misses Attempt at New ‘Heroes’

CHICAGONBC never learns. After not just countless rip-offs but “Heroes” itself tanked, why would they try to go back to a clearly-drained well for another comic book TV series like “The Cape”?

Film Review: Lopsided ‘TRON: Legacy’ is Heavy on Visuals, Light on Humanity

CHICAGO – Every great film is a delicate balance of a number of critical elements. Good films lack in one department while mediocre films have serious gaps that stick out like a red dress at a funeral. The overall mediocre “TRON: Legacy” is exceedingly fixated on its impressive visual effects while neglecting to focus on creating an evocative and humanized story.

New Concept Video, Pictures Released For ‘Tron: Legacy’ With Jeff Bridges, Olivia Wilde

| Image 1 of 8 |
Olivia Wilde (left) and Garrett Hedlund in Tron: Legacy.

CHICAGO – Exactly one year before its scheduled release date, this is an eight-image slideshow and a visual effects concept test video for the new film “Tron: Legacy,” which stars Jeff Bridges, Garrett Hedlund, Olivia Wilde and Michael Sheen.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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