CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Nothing says the holiday season like a film about lobbying and politics. If you read that sarcastically, you’d be wrong. “Miss Sloane” offers a female spin for an otherwise male-dominated political landscape. Most of you are trying to tune out politics after the elections, but this film builds off of that momentum by reminding us how we arrived to that point.
CHICAGO – Rebel Wilson’s raunchy and vulgar schtick is now way past its freshness date, but she’s the only one able to elicit any chuckles in this otherwise woebegone women-behaving-badly, anti-romantic comedy, “How to Be Single.”
CHICAGO – Real life is not a romantic comedy, unless you’re willing to understand the levels of clownish tragedy that sometimes accompanies it. The new film “Obvious Child” comprehends all that, and has an unforgettable performance from Jenny Slate in delivering the goods.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new SXSW, Sundance Film Festival and Chicago Critics Film Festival hit “Obvious Child” featuring a star-making performance from Jenny Slate!
CHICAGO – The programming executive that thought “Better With You” would fit well between the reasonably-good “The Middle” and the spectacular “Modern Family” clearly has no idea how television comedy has changed in the last few years. To call “Better With You” — with its laugh track, cheesy music, and horrible punchlines — old-fashioned is an insult to nostalgic comedies. It’s just bad.