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Jack Davenport

TV News: NBC Renews ‘Smash’ For Second Season

Smash

CHICAGO – Since it slid in weeks two and three, viewers who fell in love with NBC’s “Smash” have been biting their nails like an ingenue waiting to see if she makes the cut for callbacks. Good news, “Smash” fans: NBC renewed the show for a second season today.

TV Review: NBC’s ‘Smash’ is Best New Network Show of the Season

CHICAGO – After months of hype and expectations that increased with every creative and ratings failure that NBC trotted out this season, the premiere of “Smash” is finally here. Is this the show that saves NBC? Is it the next “Glee” or the next “Cop Rock”?

DVD Review: Catch Up With ‘FlashForward’ at Halfway Point

FlashForward DVD

CHICAGO – Watching commercial-free episodes back-to-back on DVD illuminates a show’s strengths and weaknesses (while also making drinking games easier to spot from a show’s repetitive moments). “Lost” and “24” were helped amply by their season sets, as their breakneck pace worked even better without a need to push fast forward on a DVR remote.

TV Review: ABC’s ‘FlashForward’ Could Easily Be the Next ‘Lost’

CHICAGO – Do you think that if the creators of “Lost” were allowed a glimpse at their futures when their hit show began that they would have seen a montage of all the series that it would inspire?

DVD, Blu-Ray Round Up, Dec. 9, 2008: ‘Jet Li’s Fearless,’ ‘Man on Wire,’ ‘Swingtown’

Man on Wire poster

CHICAGO – Every week there are a few titles that fall through the cracks. They’re movies or TV shows that don’t really merit the kind of comprehensive coverage of something like “Lost: Season Four” or “Deadwood: The Complete Series”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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