Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – Chris Columbus is not a filmmaker renowned for his use of subtlety. He seems incapable of telling a relatable human story without relying on his trademark brand of sophomoric slapstick. I was surprised that Macaulay Culkin didn’t pop up in Columbus’s “Rent,” and start hurling paint cans at the characters during their “Seasons of Love.” Even at age 51, Columbus is still an unruly child at heart.
CHICAGO – In what could be the worst mainstream release of the summer, “I Love You, Beth Cooper” wastes talent, production values and ultimately time in a cliché-ridden mess that produces little or no real love.