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Jacinda Barrett

TV Review: ABC’s ‘Zero Hour’ with Anthony Edwards Wastes Your Time

CHICAGOABC’s “Zero Hour,” premiering tonight, February 14, 2013 in the deadly time slot recently occupied by shows like “Missing” and “Last Resort,” is a defiantly silly show. It is the network’s latest attempt to recreate the black swan that was “Lost,” and, in many ways, it’s the worst attempt yet.

Slideshow: 31-Image Gallery For ‘Middle Men’ Starring Luke Wilson

| Image 1 of 31 |
Gabriel Macht plays Buck Dolby in Middle Men.

CHICAGO – This 31-image slideshow contains all of the official press images for the highly anticipated “Middle Men,” starring Luke Wilson, Giovanni Ribisi, Gabriel Macht, Jacinda Barrett, Laura Ramsey, Terry Crews, Rade Sherbedgia, with Kevin Pollak and James Caan. The film was written by George Gallo & Andy Weiss and directed by Gallo. It will be released on August 6th, 2010.

Blu-Ray Review: Wolfgang Petersen’s ‘Poseidon’ Rises to the Surface

Poseidon

CHICAGO – When Wolfgang Petersen’s “Poseidon” crashed and sank in the wave of summer hits of 2006 — making only $60 million domestically on a reported budget of $160 million — I thought the film got an undeserved bad rap (and it actually did much better internationally). It’s no classic and my love for the Irwin Allen era disaster films might have disguised some flaws but it looks and sounds great on Blu-ray.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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