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House of Flying Daggers

Blu-Ray Review: Zhang Yimou’s Odd ‘A Woman, a Gun and a Noodle Shop’

A Woman, a Gun, and a Noodle Shop

CHICAGO – I could never quite get my finger on why the super-talented Zhang Yimou (“Hero,” “House of the Flying Daggers”) chose to make “A Woman, a Gun and a Noodle Shop,” a loose remake of the film that introduced Joel and Ethan Coen to the world, “Blood Simple.” It is a case of a talented Chinese director attempting to make a very American genre: noir. To what end? Would it be interesting to watch the Coens remake “Hero”? Sure, but mostly as curiosity and I expect more than curiosities from someone as notable as Yimou.

Interview: Producer Bill Kong on Latest Film ‘Blood: The Last Vampire’

Blood: The Last Vampire

CHICAGO – Bill Kong can rightly be considered the producer King of the Modern Samarai Film. After cutting his teeth on the seminal “Crouching Tiger, Hidden Dragon,” his latest release is a new spin on the genre with “Blood, The Last Vampire.”

Interview: Director Roger Spottiswoode Captures Spirit of China’s Past in ‘The Children of Huang Shi’

Guang Li, Jonathan Rhys Meyers, The Children of Huang Shi (1)

CHICAGO – The second Chinese/Japanese war, which was a 1937 prelude to the great conflict of World War II, is notable today mostly because modern China rose from its ashes. Largely forgotten except for the survivors, it is a backdrop for “The Children of Huang Shi,” which is a new film from veteran director Roger Spottiswoode.

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  • [Trans]formation

    CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

  • Life Sucks

    CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

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