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House of Flying Daggers

Blu-Ray Review: Zhang Yimou’s Odd ‘A Woman, a Gun and a Noodle Shop’

A Woman, a Gun, and a Noodle Shop

CHICAGO – I could never quite get my finger on why the super-talented Zhang Yimou (“Hero,” “House of the Flying Daggers”) chose to make “A Woman, a Gun and a Noodle Shop,” a loose remake of the film that introduced Joel and Ethan Coen to the world, “Blood Simple.” It is a case of a talented Chinese director attempting to make a very American genre: noir. To what end? Would it be interesting to watch the Coens remake “Hero”? Sure, but mostly as curiosity and I expect more than curiosities from someone as notable as Yimou.

Interview: Producer Bill Kong on Latest Film ‘Blood: The Last Vampire’

Blood: The Last Vampire

CHICAGO – Bill Kong can rightly be considered the producer King of the Modern Samarai Film. After cutting his teeth on the seminal “Crouching Tiger, Hidden Dragon,” his latest release is a new spin on the genre with “Blood, The Last Vampire.”

Interview: Director Roger Spottiswoode Captures Spirit of China’s Past in ‘The Children of Huang Shi’

Guang Li, Jonathan Rhys Meyers, The Children of Huang Shi (1)

CHICAGO – The second Chinese/Japanese war, which was a 1937 prelude to the great conflict of World War II, is notable today mostly because modern China rose from its ashes. Largely forgotten except for the survivors, it is a backdrop for “The Children of Huang Shi,” which is a new film from veteran director Roger Spottiswoode.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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