CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
House of Flying Daggers
CHICAGO – I could never quite get my finger on why the super-talented Zhang Yimou (“Hero,” “House of the Flying Daggers”) chose to make “A Woman, a Gun and a Noodle Shop,” a loose remake of the film that introduced Joel and Ethan Coen to the world, “Blood Simple.” It is a case of a talented Chinese director attempting to make a very American genre: noir. To what end? Would it be interesting to watch the Coens remake “Hero”? Sure, but mostly as curiosity and I expect more than curiosities from someone as notable as Yimou.
CHICAGO – Bill Kong can rightly be considered the producer King of the Modern Samarai Film. After cutting his teeth on the seminal “Crouching Tiger, Hidden Dragon,” his latest release is a new spin on the genre with “Blood, The Last Vampire.”
Interview: Director Roger Spottiswoode Captures Spirit of China’s Past in ‘The Children of Huang Shi’Submitted by HollywoodChicago.com on June 7, 2008 - 3:32pm
CHICAGO – The second Chinese/Japanese war, which was a 1937 prelude to the great conflict of World War II, is notable today mostly because modern China rose from its ashes. Largely forgotten except for the survivors, it is a backdrop for “The Children of Huang Shi,” which is a new film from veteran director Roger Spottiswoode.