CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
House of Flying Daggers
CHICAGO – I could never quite get my finger on why the super-talented Zhang Yimou (“Hero,” “House of the Flying Daggers”) chose to make “A Woman, a Gun and a Noodle Shop,” a loose remake of the film that introduced Joel and Ethan Coen to the world, “Blood Simple.” It is a case of a talented Chinese director attempting to make a very American genre: noir. To what end? Would it be interesting to watch the Coens remake “Hero”? Sure, but mostly as curiosity and I expect more than curiosities from someone as notable as Yimou.
CHICAGO – Bill Kong can rightly be considered the producer King of the Modern Samarai Film. After cutting his teeth on the seminal “Crouching Tiger, Hidden Dragon,” his latest release is a new spin on the genre with “Blood, The Last Vampire.”
Interview: Director Roger Spottiswoode Captures Spirit of China’s Past in ‘The Children of Huang Shi’Submitted by HollywoodChicago.com on June 7, 2008 - 4:32pm
CHICAGO – The second Chinese/Japanese war, which was a 1937 prelude to the great conflict of World War II, is notable today mostly because modern China rose from its ashes. Largely forgotten except for the survivors, it is a backdrop for “The Children of Huang Shi,” which is a new film from veteran director Roger Spottiswoode.