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Film News: Final Weekend of the Season for Chicago Film Tour

Chicago Film Tour

CHICAGO – Now is your chance to experience the Chicago Film Tour during its final weekend of the season, guided by Patrick McDonald of HollywoodChicago.com. Through a special promotion, If you mention the “HollywoodChicago.com Offer” when reserving your seats, you will get half off the regular price of the tour for the weekend of November 29th and 30th, 2014 (details in the graphic below). The tour departs from the “Rock ‘N Roll” McDonalds Restaurant at 600 N. Clark, in the River North neighborhood in Chicago.

Exclusive Portrait: Angelica Huston at the Chicago Humanities Festival

Angelica Huston, photo by Joe Arce

CHICAGO – The famed Oscar-winning actress Angelica Huston comes from a lineage of Hollywood royalty – her father John was a legendary director and her grandfather Walter was a noted actor. She brought all of that history to the Chicago Humanities Festival, where she was featured at the Closing Event on November 14th, 2014, at the First United Methodist Church at The Chicago Temple.

Film Review: ‘Penguins Of Madagascar’ is Definitely No Turkey

CHICAGO – The only thing rarer than a spinoff that soars over its inspiration is a DreamWorks Animation production without “Dragon” in the title, and one that’s actually worth watching. Improbably, “Penguins Of Madagascar” is both.

DVD Review: Historical Figures are Cheersed in the Brilliant ‘Drunk History: Seasons 1 & 2'

Drunk History Seasons 1 & 2, 2014

CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.

Film Review: ‘The Hunger Games: Mockingjay – Part 1’ Shouldn’t Have Been Split in Two

CHICAGO – My issue with the “one movie split into two parts” debate isn’t even about money, which is clearly the main reason why we’ve seen blockbuster films do it like the two-part “Harry Potter and the Deathly Hallows” and now the two-part “The Hunger Games: Mockingjay”.

Film Review: Feminism Humbles Tommy Lee Jones in Heartfelt Western ‘The Homesman’

homesman front.png

CHICAGO – In Tommy Lee Jones’ passion project “The Homesman,” the wild west provides a vivid setting for a battle in man’s endless war against women, as the film firmly occupying a genre strictly known for cowboys and pioneer machismo. It’s a sorrowful western from actor/writer/director Jones that often shines in its twilight, hoping to slightly reconcile the maltreatment unleashed on half of the world’s most powerful species.

Film Review: Human Emotions Transcend Wealth in ‘Foxcatcher’

CHICAGO – In the memorable film “Barton Fink,” the title character is asked to write a wrestling movie for Wallace Beery. If Fink had isolated himself long enough, he might have come up with “Foxcatcher,” demonstrating once again that a true story is much stranger than fiction.

Film Review: Moving On in ‘The Hunger Games: Mockingjay – Part 1’

CHICAGO – The über popular “The Hunger Games” series is back, splitting the final novel into two movie parts, Harry Potter style. Subtitled “Mockingjay - Part 1,” this is the beginning of the end of the story, setting up rather than knocking down.

Movie News: Oscar-Winning Director Mike Nichols Dies at 83

NEW YORK CITY – He was an immigrant kid from Germany who directed the most American of stage plays and films. Mike Nichols uplifted the culture with his art, and along the way won the famed EGOT – Emmy, Grammy, Oscar and Tony. Nichols passed away suddenly at his home. He was 83.

Interview: Filmmaker Darryl Roberts on ‘America the Beautiful 3’

CHICAGO – Filmmaker Darryl Roberts has been on an eight-year journey to chronicle the influence of corporations, advertising and images on today’s teenagers. After releasing the first two “America the Beautiful” documentaries, his latest – and potentially most controversial – is “America the Beautiful 3: The Sexualization of Our Youth.”

Exclusive Portrait: Bob Odenkirk Reminds Us ‘Better Call Saul’

Bob Odenkirk, photo by Joe Arce

CHICAGO – Sometimes it take awhile to be an overnight sensation, but Bob Odenkirk will be on the precipice of that kingdom when the “Breaking Bad” spin-off show, “Better Call Saul” premieres in February of next year on the AMC Network. Odenkirk was recently in Chicago to promote his new book, “A Load of Hooey.” in an appearance that took place at the Up Comedy Club on Wells Street in the city.

Interview: Director Bennett Miller is the Hound in ‘Foxcatcher’

CHICAGO – There are many categories of film director types – facilitators, tacticians, framers, to name a few – but there are few real artists. Bennett Miller has guided three films in his career, “Capote,” “Moneyball” and his latest “Foxcatcher.” All three have a purposeful artistry, and explore the soul within the humanity it portrays.

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  • Drunk History Seasons 1 & 2, 2014

    CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.

  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

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