CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
CHICAGO – Horror writers and directors have been afraid of the dark since the start of the genre. Sadly, that fear of blackness has never translated to film as successfully as one would hope. There’s an inherent problem in watching a movie about darkness in that it can never make that fear fully real unless it goes to complete black screen. The latest entry in this flawed subgenre is Brad Anderson’s “Vanishing on 7th Street,” a minor work from a major director.
CHICAGO – The ensemble cast is decent, the story fits the action/adventure essence of the heist film and one of the hottest music stars of the moment, Tip “T.I.” Harris, has a prominent role. Then why is the new film “Takers” such a seen-it-all-before exercise in action blandness?
CHICAGO – Tip “T.I.” Harris has conquered the charts and the music business as a performer, producer and entrepreneur. He was recently in Chicago at a red carpet premiere for his film “Takers,” on which he serves as executive producer and co-stars with Matt Dillon, Hayden Christensen and Zoe Salanda.
CHICAGO – This 27-image slideshow contains all of the official press images for the highly anticipated “Takers,” starring Matt Dillon, Paul Walker, Zoe Saldana, Idris Elba, Jay Hernandez, Michael Ealy, Tip ‘T.I.’ Harris, Chris Brown, and Hayden Christensen. The film was written by Peter Allen & Gabriel Casseus and John Luessenhop & Avery Duff and directed by John Luessenhop. It will be released on August 27th, 2010.
CHICAGO – In our latest romance/drama edition of HollywoodChicago.com Hookup: Film, we have 35 admit-two passes up for grabs to the Chicago screening of the new film “New York, I Love You” from an eclectic group of some of today’s most imaginative filmmakers.
CHICAGO – As a distinct premise, “Jumper” offers tantalizing possibilities. The ability to transport yourself from one location to another with simple mind control is a cool rule of the world. While the film speaks to some of the far-reaching potential of the power, it also follows story formulas that weaken it.
CHICAGO – Every year, one out of 700 patients – or an estimated 20,000 to 40,000 of the 21 million patients – experience “anesthetic awareness,” according to a Nov. 23, 2004 Washington Post article by Sandra Boodman.