CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.
Harry Connick Jr.
CHICAGO – They don’t come along often, the rare fun-for-the-whole-family film. But “Dolphin Tale 2” fits that description perfectly, throws in some idealistic symbolism, and more importantly follows those symbols through to the end.
CHICAGO – When sequels are made, they are rarely better than the original and often have different cast members. “Dolphin Tale 2” defies both of those conventions, and the returning cast delivers the goods – including Ashley Judd, Morgan Freeman, Harry Connick Jr., and the teenage actors Nathan Gamble and Cozi Zuehlsdorff.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the sequel “Dolphin Tale 2” starring Harry Connick Jr.!
CHICAGO – As a refreshing departure from the snarky, shrill and soulless time wasters passing for children’s entertainment these days, this wholesome, fact-based drama works perfectly well. It captures some of the innocence and warmth that characterized ’60s-era Disney fare, as well as the blandness and exceedingly high cheese factor.
CHICAGO – Charles Martin Smith has had a varied career as an actor and a director. He was one of the famous ensemble cast members of “American Graffiti,” directed by George Lucas, and broke out himself as a director in the mid-1980s. His latest work as a filmmaker was one of last week’s big box office hits, “Dolphin Tale.”
CHICAGO – In the tradition of live-action Disney films of another era, “Dolphin Tale” wears its heart on its sleeve, while at the same time using the characters as two-dimensional window dressing around a based-on-truth story of humans and an animal bonding together to inspire a nation.