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Greg Berlanti

Film Review: ‘Life as We Know It’ is More Schlock From Katherine Heigl

Life As We Know It with Katherine Heigl

CHICAGO – Since her breakthrough “comic” role in “Knocked Up,” Katherine Heigl has a line-up of titles that almost reads like parody – “27 Dresses,” “The Ugly Truth,” “Killers” – but there had to be some audience or they really wouldn’t exist. She makes just enough box office to keep working, which explains the latest and maybe worst of the bunch, “Life As We Know It”

Interview: Director Greg Berlanti of Katherine Heigl’s ‘Life as We Know It’

Life As We Know It with Katherine Heigl

CHICAGO – The romantic comedy gets another variation with the new release, “Life As We Know It,” with Katherine Heigl and Josh Duhamel playing opposites who need to attract when thrust into a childcare situation that they didn’t anticipate. The film is directed by Greg Berlanti, who is also the screenwriter to the upcoming “Green Lantern” movie.

HollywoodChicago.com Hookup: 40 Chicago Passes to ‘Life as We Know It’ With Katherine Heigl

Life as We Know It with Katherine Heigl and Josh Duhamel

CHICAGO – In our latest romantic comedy edition of HollywoodChicago.com Hookup: Film, we have 40 admit-two passes up for grabs to the advance Chicago screening of the new film “Life as We Know It” with Katherine Heigl and Josh Duhamel!

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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