CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.
CHICAGO – What a disappointment. You’d think with a cast this great and a premise this outlandish that this film simply couldn’t lose. And yet, the best things about “The Men Who Stare at Goats” are its title, its poster and its trailer that gives away nearly all of the biggest laughs. The actual film is a charmless slog that doesn’t take itself nearly as seriously as it should.