CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
George Clooney’s “The Monuments Men” is processed cheese. It is a film that has been rewritten, edited, and refined until it has lost all sense of purpose or identity. There’s no flavor left. It is a film that defies genre; not quirky enough to have a comedic personality despite a cast that almost always supplies edge and not engaging enough to work as drama or thriller.
CHICAGO – What a disappointment. You’d think with a cast this great and a premise this outlandish that this film simply couldn’t lose. And yet, the best things about “The Men Who Stare at Goats” are its title, its poster and its trailer that gives away nearly all of the biggest laughs. The actual film is a charmless slog that doesn’t take itself nearly as seriously as it should.