CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – A simple man tackles an unspeakably evil one. Such is the premise of so many movies of all genres that it would be impossible to count them all. Perhaps in no genre is this structure more popular than the Western, a category in which we love to watch average family men beat the fastest gun in the West. This explains the lasting popularity of Delmer Daves’s “3:10 to Yuma,” a flick I still find relatively slight but appreciate more completely now that I can see it in a gorgeously transferred, 4K-restored version from The Criterion Collection.
CHICAGO – Russ Tamblyn has seen it all. In a show business career that is now over 60 years old, he has gone from child star (”Father of the Bride”) to Oscar nominee (”Peyton Place”) to classic role (”West Side Story”) and cult hero (”Twin Peaks”). With a span like that, he has collected a few stories.