CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – Walt Disney Studio’s latest animated extravaganza is best viewed as a child’s introduction to the buddy cop movie, since you can’t exactly start a toddler on “Midnight Run” or “Lethal Weapon 2.” But in this case it’s a bunny cop movie.
CHICAGO – HBO’s “Big Love” never quite got the attention it deserved. It’s the bridge from the “Sopranos” era of HBO to the “Boardwalk Empire” and “Game of Thrones” one that we live in now and the rollercoaster of quality in terms of seasons never allowed the program to really find a groove. I’m happy it existed. And I’m even happier to own “Big Love: The Complete Series,” a volume of quality drama to which history will be very kind.
CHICAGO – With two “Snow White” films currently in production, it’s tempting to believe that Hollywood’s well of originality has run dry. Sure, faerie tales have always been reinterpreted for new generations, but how many re-imaginings does one generation need?
CHICAGO – “Something Borrowed” is just a stupid, stupid movie. It’s not painful nor as horrendous as many recent romantic comedies largely through the overall likeability of star Ginnifer Goodwin, but it’s just stupid. It features stupid people doing stupid things and serves as more of a cautionary tale about picking the right people to support you than it does as any sort of modern romance. With too-little chemistry as friends or lovers, “Something Borrowed” never clicks. It should disappear soon from Blu-ray and DVD shelves and all but the most diehard fans of the romantic genre or the stars involved should give it back.
CHICAGO – Colin Egglesfield is in an enviable position. In his major film debut, “Something Borrowed,” he is engaged to Kate Hudson, and also shows his affection for Ginnifer Goodwin. He is torn between two lovers, but handles both with natural charm.
CHICAGO – Wedding movies, the wedding industrial complex, weddings as women’s literature, where does it end? (divorce) It’s that time of year, and the wedding film makes its ritualistic appearance, here represented by the morally bankrupt “Something Borrowed.”
CHICAGO – As the credits for the premiere of the fifth and final season of “Big Love” started, I wondered exactly what I wanted from this year. Like Chloe Sevigny and most fans of the show, I agreed that season four was a serious disappointment, especially after the spectacular third outing.
CHICAGO – With junk like “Marmaduke” and “Cats & Dogs: The Revenge of Kitty Galore” pitching themselves to children like bad fast food, it can be hard for an honestly-good and genuine family film to find an audience. “Ramona and Beezus” is the kind of family offering that will hopefully find a large audience on Blu-ray and DVD. It’s no classic and far from perfect but it’s definitely a success for its target audience that could surprisingly appeal to people outside of its demographic as well.
CHICAGO – “Ramona and Beezus” may not be the perfect film that Beverly Cleary fans hoped for when they fell in love with these characters but it is successful on its own terms in its refusal to talk down to its pre-teen audience and through the massive future star-power of its talented young stars. I admittedly have a soft spot for any film that places teachers on a higher pedestal than businessman and effectively teaches young viewers to stick to their creative visions. It’s flawed, but “Ramona and Beezus” works.
CHICAGO – It took me some time to get on the “Big Love” wavelength. HBO’s controversial show hasn’t really been on my radar since its debut season, one that I thought featured a great cast but underdeveloped dramatic potential.