CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – In the latest HollywoodChicago.com Hookup: TV with our unique social giveaway technology, we have 60 pairs of advance-screening TV passes up for grabs to NBC’s new TV thriller “Crisis” starring Gillian Anderson (“The X-Files”)!
CHICAGO – Has there ever been a network TV show more cinematic than “Hannibal”? Especially when one watches it commercial-free in “binge” format on the newly-released Blu-ray, one can even more distinctly appreciate the fact that the first season of Bryan Fuller’s incredible show, the best on network TV, plays like long film. Scratch that.
CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.
CHICAGO – With a delicacy and melancholy reminiscent of the Dardennes brothers, Ursula Meier’s “Sister,” shortlisted for the Oscar for Best Foreign Language Film and opening tomorrow in Chicago at the Music Box Theatre, is a heartbreakingly effective piece of work about a boy forced to be a man by his circumstance.
CHICAGO – Very few pieces of fiction have had the proven staying power of Charles Dickens’ “Great Expectations,” which gets yet another adaptation in a two-week mini-series Masterpiece version, starting this Sunday, April 1st, 2012, on PBS.
CHICAGO – Just as every country desires to have its own take on “The Office,” every country needs its own Clouseau. The sheer number of bumbling detectives in cinema are too vast to count, though a few deserve to stand out, such as Jean Dujardin’s suavely clueless OSS 117. Johnny English, on the other hand, deserves to be placed at the back of the crowd, in between Steve Martin and Roberto Benigni.
DVD Rating: 1.0/5.0
CHICAGO – Considering the talent on display, “How to Lose Friends and Alienate People” is jaw-droppingly, shockingly bad. If this was just another straight-to-video National Lampoon comedy, it might be easier to forgive, but how so many funny people got involved in a project so misguided will remain one of the biggest movie mysteries of 2008.
CHICAGO – “The X-Files: I Want to Believe” was an unqualified disaster in theaters. One of the worst movies of 2008, the film downplayed the strengths of the first few seasons of the influential series and emphasized the weaknesses of the show’s ignominious end.
Interview: British Cult Star Simon Pegg is Fish Out of Water in ‘How to Lose Friends & Alienate People’Submitted by HollywoodChicago.com on October 3, 2008 - 2:14am
CHICAGO – Simon Pegg (the British cult hero of “Shaun of the Dead” and “Hot Fuzz”) was welcomed to a Chicago hotel where his press event was taking place with personalized water bottles that sported his face.
CHICAGO – Following an addictive TV series that spanned from 1992 to 2002, I wanted to believe “The X-Files: I Want to Believe” would more dynamically pay homage to its television success than Chris Carter’s first film attempt in 1998. In take two, though, it didn’t happen.