CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new dramatic thriller “Kill the Messenger” starring Jeremy Renner based on the remarkable true story of Pulitzer Prize-winning journalist Gary Webb!
HollywoodChicago.com Hookup: 25 Pairs of Passes to ‘House at the End of the Street’ With Jennifer LawrenceSubmitted by HollywoodChicago.com on September 16, 2012 - 10:07pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of movie passes up for grabs to the advance screening of the new horror film “House at the End of the Street” starring Jennifer Lawrence!
CHICAGO – After a delay that lasted well in excess of a year, “24” returns to FOX this Sunday, Nov. 23, 2008 from 7 to 9 p.m. with a two-hour “special event” (they used to just be called “TV movies”) called “24: Redemption”.
CHICAGO – This 22-image slideshow contains official press images for the new TV film “24: Redemption” (previously named “24: Exile”), which stars Kiefer Sutherland, Gil Bellows, Robert Carlyle, Cherry Jones, Powers Boothe and Jon Voight. The prequel to the seventh season of “24” airs on Nov. 23, 2008 at 8 p.m. EST or 7 p.m. CST on FOX.
Interview: Director Steve Conrad Elevates Chicago Setting, Sean William Scott in New Comedy ‘The Promotion’Submitted by HollywoodChicago.com on June 6, 2008 - 7:41pm
CHICAGO – Barring extreme wealth or hermetics, everyone uses the grocery store. It is the great equalizer – the marketplace where all socioeconomic groups can co-exist side by side – in pursuit of daily bread. Inspired by this reality, writer and director Steve Conrad turned it into his feature directorial debut.