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Gil Bellows

HollywoodChicago.com Hookup: 25 Pairs of Passes to ‘House at the End of the Street’ With Jennifer Lawrence

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of movie passes up for grabs to the advance screening of the new horror film “House at the End of the Street” starring Jennifer Lawrence!

TV Review: ‘24’ Searches For ‘Redemption’ With Prequel to Season Seven

24: Redemption

CHICAGO – After a delay that lasted well in excess of a year, “24” returns to FOX this Sunday, Nov. 23, 2008 from 7 to 9 p.m. with a two-hour “special event” (they used to just be called “TV movies”) called “24: Redemption”.

Slideshow: 22-Image Gallery For ‘24: Redemption’ With Kiefer Sutherland

| Image 1 of 22 |
Captured in Africa exhibit: 24 producer Michael Klick captures Jack Bauer (Kiefer Sutherland) performing a stunt while filming 24: Redemption, which airs on Nov. 23, 2008 on FOX. Photo credit: Michael Klick


CHICAGO – This 22-image slideshow contains official press images for the new TV film “24: Redemption” (previously named “24: Exile”), which stars Kiefer Sutherland, Gil Bellows, Robert Carlyle, Cherry Jones, Powers Boothe and Jon Voight. The prequel to the seventh season of “24” airs on Nov. 23, 2008 at 8 p.m. EST or 7 p.m. CST on FOX.

Interview: Director Steve Conrad Elevates Chicago Setting, Sean William Scott in New Comedy ‘The Promotion’

Seann William Scott, John C. Reilly, The Promotion (1)

CHICAGO – Barring extreme wealth or hermetics, everyone uses the grocery store. It is the great equalizer – the marketplace where all socioeconomic groups can co-exist side by side – in pursuit of daily bread. Inspired by this reality, writer and director Steve Conrad turned it into his feature directorial debut.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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