Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Clint Eastwood’s “Unforgiven” is one of the most influential movies on my decision to become a film critic. And yet, as most people are, I was concerned that perhaps I viewed the film through the rose-colored glasses of perspective. Was it as good as I remembered? Does it hold up? Hell yes it does and it’s never looked better than it does on the stunning new transfer from Warner Brothers for its 20th anniversary Blu-ray.
CHICAGO – Sydney Pollack was a filmmaker who could do anything: sweeping romantic melodramas, side-splitting satires and epic yet intimate tragedies. It’s easy to forget that Pollack could also craft a superb commercial thriller every once in a while, and 1993’s “The Firm” falls under that category. Despite a few dated elements, the picture holds up surprisingly well.
Blu-Ray Rating: 3.0/5.0
CHICAGO – “The French Connection” is one of those rare movies that’s always better than I remember it to be. Not that I think poorly of William Friedkin’s masterful procedural, a multiple Oscar winner and game-changer in the world of detective cinema, but that it’s a film that blows me away every time see it. So why did William Friedkin have to mess with the picture?