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Blu-ray Review: Remastered Anniversary Edition of Clint Eastwood’s Masterful ‘Unforgiven’

Unforgiven

CHICAGO – Clint Eastwood’s “Unforgiven” is one of the most influential movies on my decision to become a film critic. And yet, as most people are, I was concerned that perhaps I viewed the film through the rose-colored glasses of perspective. Was it as good as I remembered? Does it hold up? Hell yes it does and it’s never looked better than it does on the stunning new transfer from Warner Brothers for its 20th anniversary Blu-ray.

Blu-Ray Review: Tom Cruise’s Star Power Shines Bright in ‘The Firm’

The Firm Blu-Ray

CHICAGO – Sydney Pollack was a filmmaker who could do anything: sweeping romantic melodramas, side-splitting satires and epic yet intimate tragedies. It’s easy to forget that Pollack could also craft a superb commercial thriller every once in a while, and 1993’s “The Firm” falls under that category. Despite a few dated elements, the picture holds up surprisingly well.

Blu-Ray Review: ‘The French Connection’ Loses None of Its Power, But Video Disappoints

FC
HollywoodChicago.com Blu-Ray Rating: 3.0/5.0
Blu-Ray Rating: 3.0/5.0

CHICAGO – “The French Connection” is one of those rare movies that’s always better than I remember it to be. Not that I think poorly of William Friedkin’s masterful procedural, a multiple Oscar winner and game-changer in the world of detective cinema, but that it’s a film that blows me away every time see it. So why did William Friedkin have to mess with the picture?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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