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Fred Willard

Blu-ray Review: Howlingly Funny ‘Best in Show’ is a Comic Masterpiece

Best in Show Blu-ray

CHICAGO – The more one is familiar with the art of improv, the more one is bound to fall head over heels in love with the mockumentaries of Christopher Guest. Working from a mere scene outline, Guest and his ensemble of top-drawer comedians bring a colorful assortment of richly eccentric oddballs to life. Their ad-libbed dialogue is infinitely funnier than scripted punchlines since it emerges organically from their character’s own warped worldview.

Blu-Ray Review: Bonus-Heavy Release of Will Ferrell’s Beloved ‘Anchorman’

Anchorman

CHICAGO – “Anchorman: The Legend of Ron Burgundy” is one of the most beloved comedies of the ’00s, a film that may have failed to crack $100 million on its initial release but has legions of fans who now know the entire script by heart after dozens of DVD and cable viewings. Like many comedy hits, Adam McKay’s directorial debut has been given the gift set treatment complete with collectibles and hours of special features. It’s exclusive to Best Buy for the next few months but we have a look at it for you now.

‘Youth in Revolt’ Interview: Michael Cera, Portia Doubleday on Bad Guys vs. Good Guys

CHICAGO – “Youth in Revolt,” which hit the street on DVD on June 15, 2010, has about broken even since its theatrical debut on Jan. 8, 2010 with $18.3 million in global box-office earnings on a $18 million production budget.

‘WALL-E’ Earns Accolade as 2008’s First Perfect Film, One of Best Pixar Films Ever

CHICAGO – While perfection can be characterized in many ways, there’s only one way to define perfect in film: one with everything you could ask for and nothing you could cut. Though this a highly unlikely proposition, “WALL-E” has become 2008’s first perfect film and one of the best Pixar projects of all time.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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