Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – A preacher delivering a sidewalk sermon followed by a boy’s inventive doodles and drawings are the opening images that launch “Son of Rambow”. This sets the tone for the unyielding power of childhood imagination that the filmmakers unleash upon moviegoers.
CHICAGO – The best quality about the fourth “Rambo” is its “Rambo” authenticity. The worst quality about the fourth “Rambo” is its “Rambo” authenticity.