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Evan Peters

Film Review: Olivia Wilde Resurrects Horror in ‘The Lazarus Effect’

CHICAGO – Psychological horror films are the best tweaks, because they remind us of our fears, and where are fears are rooted. The strange combination of science, religion and a blockbuster performance by Olivia Wilde creates an atmosphere of dread and weirdness in “The Lazarus Effect.”

TV Review: ‘American Horror Story: Coven’ Casts a Spell

CHICAGO – Take this with a giant grain of salt but FX’s “American Horror Story: Coven” shows incredible promise in its premiere episode tonight, setting a number of creative plates spinning in directions that could be fascinating. Why the salt? Well, “American Horror Story: Asylum” started with similar promise and quickly became cluttered and unfocused.

TV Review: Take Harrowing Trip to ‘American Horror Story: Asylum’

CHICAGO – When we got to the end of FX’s excellent “American Horror Story” and nearly all of the characters were dead, a natural question arose — what the Hell do they do for season two? Welcome to “American Horror Story: Asylum,” a completely new tale with some of the same ensemble from the first season but a new setting, new characters, and new story but the same goal — to rattle your senses and put you on edge in the middle of the week.

Blu-Ray Review: Spectacular Release For Matthew Vaughn’s ‘Kick-Ass’

CHICAGO – Matthew Vaughn’s “Kick-Ass” didn’t take off in theaters like it deserved to do but a simply spectacular Blu-ray release from Lionsgate is sure to please both fans of this excellent slice of post-modern entertainment and help it find the wider audience that I’m sure it will on the home market.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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