CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – “Jimi: All Is by My Side” shows the Jimi Hendrix experience without having the rights to the Jimi Hendrix Experience. It’s an unofficial rumination that doesn’t have any Hendrix songs, and it focuses on a more day-in-the-life perspective of the rock star, albeit in a career period that would be scooted over through montage in any other film. The endeavor is ambitious in its desires, and stands out most of all for its experimental nature than it does for trying to achieve a truth higher than fact.
CHICAGO – Mel Gibson’s return to the big screen in the thriller “Edge of Darkness” was relatively disappointing at the box office this weekend (opening with Gibson’s lowest first weekend box office since 1995) but not only is that film worth your time but you should definitely take a look at the award-winning 1985 BBC mini-series that inspired it, directed by the same filmmaker, Martin Campbell (“Casino Royale”).