CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Encounters at the End of the World
CHICAGO – Along with your local library’s DVD section and equality, Antarctica remains one of the general world’s greatest oversights, even though it’s the size of a continent (because it is one). Around this time of year, the North Pole gets a huge shoutout for its mass production of brand items, but it’s the South Pole that forever remains in the shadow of everything else in the world, only mentioned in films like Werner Herzog’s 2007 documentary “Encounters at the End of the World,” or that 2009 Kate Beckinsale snow thriller “Whiteout.”
CHICAGO – One of the most wonderful things about the world of documentary film is the complete unpredictability of the form. It seems much easier to look at a list of upcoming works from major and minor narrative directors and know what’s going to stand out at the end of the year than to even attempt the same thing with an upcoming batch of documentaries.