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Eloise Mumford

DVD Review: Only Season of ‘The River’ Hints at What Could Have Been

The River

CHICAGO – I had some notable problems with ABC’s “The River,” saying in my review of the series premiere, “…while the show has effective moments of horror, they never quite build the way you want them to in a cohesive piece due to the creators feeling the need to get at least one major scare between every break.” Watching where the show went with the first season DVD, hitting stores this week, I stand by my criticisms (I have problems with every episode) but I kind of wish that the creators had been given time to iron out their kinks. The fact is that there simply isn’t enough programming on network TV that one could call daring and while I think “The River” was flawed it was undeniably unlike anything else in your DVR.

TV Review: ABC’s ‘The River’ is Original But Not Always Effective

CHICAGO – Two hours of ABC’s found footage horror drama tonight, “The River,” from Executive Producer Steven Spielberg, should at least do one thing for the show — weed out those not interested in following it long-term.

TV Review: FOX’s ‘Lone Star’ Features Charismatic Cast, Intriguing Premise

CHICAGO – In a world where it’s becoming increasingly difficult for many people to hold one job or keep together one family, it’s not hard to see audiences entertained by watching a man try to juggle two of each.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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