Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – No contemporary filmmaker has mastered the art of opinionated cinema better than Michael Moore. He doesn’t pretend to be fair and balanced, and he doesn’t claim to have all the answers. He’s more interested in raising questions that sorely need to be addressed and debated. There are few things more American than the act of questioning a system that most people have taken for granted.