CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – Two comedies that were on the bubble of cancellation just a few months ago are being thrown into the deep end on Tuesday nights by ABC, starting tonight.
CHICAGO – With so many laughless sitcoms premiering this season on ABC, it’s tempting to overpraise a show that actually manages to be funny. “Happy Endings” has already received a good deal of praise from Hollywood Chicago for its top-notch ensemble and vibrantly witty banter, though it’s not quite in the same league as the shows it wishes to emulate, particularly “Friends” and “Arrested Development.”
CHICAGO – Why can’t anyone figure out how to use Anna Faris effectively? She’s got some of the best comic timing of any actress working today but she can’t find a good script in which to display it. Take her latest venture, the misogynistic, creepy, and just BAD “What’s Your Number?,” a pale excuse for a chick flick that should look even more ghostly in light of the similarly-themed and far-superior “Bridesmaids” earlier this year.
CHICAGO – It’s a good thing ABC’s sitcom “Happy Endings” is only 20 minutes, since the frenzied pace of its gags run the risk of exhausting its audience. With so many rapid fire punch-lines bouncing off the screen, one quickly suspects that the perpetually hyper energy level is a sign of desperation. Sampling any given moment from this show could easily repel potential viewers.
CHICAGO – ABC’s new sitcom “Happy Endings” is undeniably yet another “Friends” rip-off, an attempt to make a pal-com about relationships, misunderstandings, and good buddies. I’ve seen enough of these things that I automatically get a bit defensive when they appear on my desk. If you sat through junk like “Traffic Light” and “Perfect Couples,” you would too.
CHICAGO – With great comedies often being cancelled before their time, how many TV writers and producers look at the trajectory of “Scrubs” with awe?