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Elaine Stritch

Film News: First Wave of 2013 Chicago International Film Festival Titles Announced

Blue is the Warmest Color

CHICAGO – The 2013 Chicago International Film Festival is almost here and the programmers have unveiled their first slate of titles, including hits from other festivals like “Blue is the Warmest Color,” “Heli,” “The Inevitable Defeat of Mister and Pete.” The 49th annual fest runs from October 10-24, 2013. Official, CIFF-provided descriptions below of what we know will play there so far:

Film Review: Brilliant ‘ParaNorman’ Delivers For All Audiences

CHICAGO – “ParaNorman” is not only the best animated film of 2012 by a large margin but it’s better than anything that came out last year as well. The latest stop-motion gem from LAIKA (who made another one of the best animated films of the last several years in “Coraline”) is smart, funny, scary, imaginative, and, most surprisingly of all, moving. Don’t miss it.

DVD Review: Third Season of Emmy-Winning ‘30 Rock’

30 Rock

CHICAGO – Maybe you’ve heard of a little show called “30 Rock”? It doesn’t set the ratings on fire but critics and award-giving bodies go crazy for it like kids with pixie sticks. Personally, I think the third season of “30 Rock” was a slight step down from the second, but there’s no denying that this is one of the best comedies on television, as its recent major wins at the Emmys proved yet again.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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