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Elaine Stritch

Film News: First Wave of 2013 Chicago International Film Festival Titles Announced

Blue is the Warmest Color

CHICAGO – The 2013 Chicago International Film Festival is almost here and the programmers have unveiled their first slate of titles, including hits from other festivals like “Blue is the Warmest Color,” “Heli,” “The Inevitable Defeat of Mister and Pete.” The 49th annual fest runs from October 10-24, 2013. Official, CIFF-provided descriptions below of what we know will play there so far:

Film Review: Brilliant ‘ParaNorman’ Delivers For All Audiences

CHICAGO – “ParaNorman” is not only the best animated film of 2012 by a large margin but it’s better than anything that came out last year as well. The latest stop-motion gem from LAIKA (who made another one of the best animated films of the last several years in “Coraline”) is smart, funny, scary, imaginative, and, most surprisingly of all, moving. Don’t miss it.

DVD Review: Third Season of Emmy-Winning ‘30 Rock’

30 Rock

CHICAGO – Maybe you’ve heard of a little show called “30 Rock”? It doesn’t set the ratings on fire but critics and award-giving bodies go crazy for it like kids with pixie sticks. Personally, I think the third season of “30 Rock” was a slight step down from the second, but there’s no denying that this is one of the best comedies on television, as its recent major wins at the Emmys proved yet again.

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  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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