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Elaine Stritch

Film News: First Wave of 2013 Chicago International Film Festival Titles Announced

Blue is the Warmest Color

CHICAGO – The 2013 Chicago International Film Festival is almost here and the programmers have unveiled their first slate of titles, including hits from other festivals like “Blue is the Warmest Color,” “Heli,” “The Inevitable Defeat of Mister and Pete.” The 49th annual fest runs from October 10-24, 2013. Official, CIFF-provided descriptions below of what we know will play there so far:

Film Review: Brilliant ‘ParaNorman’ Delivers For All Audiences

CHICAGO – “ParaNorman” is not only the best animated film of 2012 by a large margin but it’s better than anything that came out last year as well. The latest stop-motion gem from LAIKA (who made another one of the best animated films of the last several years in “Coraline”) is smart, funny, scary, imaginative, and, most surprisingly of all, moving. Don’t miss it.

DVD Review: Third Season of Emmy-Winning ‘30 Rock’

30 Rock

CHICAGO – Maybe you’ve heard of a little show called “30 Rock”? It doesn’t set the ratings on fire but critics and award-giving bodies go crazy for it like kids with pixie sticks. Personally, I think the third season of “30 Rock” was a slight step down from the second, but there’s no denying that this is one of the best comedies on television, as its recent major wins at the Emmys proved yet again.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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