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Eion Bailey

TV Review: ‘Covert Affairs’ Puts the Team Back in the CIA

CHICAGO – In an era where America’s budget concerns are front and center, a TV series celebrating the awesomeness of the CIA seems a bit ill-timed. Piper Perabo portrays an undercover operative in the second season premiere of USA Network’s “Covert Affairs.”

Interview: Director Jonathan Parker Reveals Art Behind ‘(Untitled)’

CHICAGO – One of the great overlooked films of 2009 was the slyly titled “(Untitled).” Jonathan Parker, the writer/director of the film, fashions a sharp yet human tale about the world of art galleries and the next-big-thing. The (Untitled) DVD and Blu-Ray is being released on September 21st, 2010.

Art World Bares its Soul in Adam Goldberg’s Superlative ‘(Untitled)’

Adam Goldberg and Marley Shelton in "(Untitled)"

CHICAGO – One of the best and most exciting surprises of the 2009 film year is a smaller, claustrophobic film starring Adam Goldberg and set in the art gallery world of New York City. “(Untitled)” is an honest, uncompromising character study.

Interview: Adam Goldberg on the Art of Performance in ‘(Untitled)’

CHICAGO – The Adam Goldberg character is well known to fans of TV’s “Friends” and the movie’s “Saving Private Ryan.” With his heart-on-his-sleeve persona, he takes that character to rarified heights in the new film “(Untitled).”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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