Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – I stand by my swooning praise for Tom Hooper’s “Les Miserables” when I reviewed it in theaters. Mostly. I must admit that its flaws are easier to see on the small screen as the grand, epic scope suits itself better to the movie theater (although I think people who claim to hate this movie simply don’t like musicals). It doesn’t hold up quite as well as that first, glorious experience with it in theaters. Even if the Blu-ray is one that will appeal greatly to fans of this beloved, Oscar-winning flick.
CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.
CHICAGO – It’s understandable that people from the Southern or rural United States would criticize the general media. With films like “Hick,” which generally portray them as idiots or sociopathic, there is no balance or honest characterizations. Chloe Moretz, Blake Lively, Eddie Redmayne and Alec Baldwin add their take on it all.
CHICAGO – Bringing the popular culture past back to life in a movie is always a tricky proposition. No matter what, there are always inevitable comparisons to the real thing.
CHICAGO – Marilyn Monroe will never go away. The iconic actress of a long-gone era is the subject of a new film, “My Week with Marilyn,” directed by Simon Curtis. Ms. Monroe is portrayed during a in collaboration with Sir Lawrence Olivier, and their characters are played with sublime grace by Michelle Williams and Kenneth Branagh.
CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge. From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.