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Eamonn Walker

TV Review: NBC’s ‘Chicago Fire’ Generates Little Heat

Chicago Fire

CHICAGO – I might be more forgiving of the dramatic failings of the saga of Matthew Casey if I had never met Tommy Gavin. For years, we felt the pain and drama of life as a firefighter on FX’s “Rescue Me,” and, while I had some issues with that show, it definitely casts NBC’s “Chicago Fire” in a different light. However, even without Denis Leary’s hit show, I don’t think this melodrama would work. It just doesn’t connect on a realistic level like we need shows like this to do. I don’t expect it to burn for long.

TV Review: ABC’s ‘The Whole Truth’ Promises Complete Dramatic Experience

The Whole Truth

CHICAGO – Every year, there’s a program or two for which it is strikingly easy to recognize exactly what people will love about it and what many will equally hate about it. Said programs are usually the product of creators with strong and identifiable styles and Jerry Bruckheimer is certainly one of those. Even casual fans would recognize his slick approach to the medium and your tolerance for that is going to determine your judgment on ABC’s “The Whole Truth,” a program that works for me but might not work for you.

TV Review: Ambitious ‘Kings’ With Ian McShane Unlike Anything Else on Network TV

HollywoodChicago.com Television Rating: 3.5/5.0
Television Rating: 3.5/5.0

CHICAGO – You won’t see many shows much more ambitious than NBC’s “Kings”. The multi-character drama borrows from the story of King David to create a tapestry piece about power, corruption, and war. It’s dense, layered, complex storytelling that you rarely see on network television.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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