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Eamonn Walker

TV Review: NBC’s ‘Chicago Fire’ Generates Little Heat

Chicago Fire

CHICAGO – I might be more forgiving of the dramatic failings of the saga of Matthew Casey if I had never met Tommy Gavin. For years, we felt the pain and drama of life as a firefighter on FX’s “Rescue Me,” and, while I had some issues with that show, it definitely casts NBC’s “Chicago Fire” in a different light. However, even without Denis Leary’s hit show, I don’t think this melodrama would work. It just doesn’t connect on a realistic level like we need shows like this to do. I don’t expect it to burn for long.

TV Review: ABC’s ‘The Whole Truth’ Promises Complete Dramatic Experience

The Whole Truth

CHICAGO – Every year, there’s a program or two for which it is strikingly easy to recognize exactly what people will love about it and what many will equally hate about it. Said programs are usually the product of creators with strong and identifiable styles and Jerry Bruckheimer is certainly one of those. Even casual fans would recognize his slick approach to the medium and your tolerance for that is going to determine your judgment on ABC’s “The Whole Truth,” a program that works for me but might not work for you.

TV Review: Ambitious ‘Kings’ With Ian McShane Unlike Anything Else on Network TV

HollywoodChicago.com Television Rating: 3.5/5.0
Television Rating: 3.5/5.0

CHICAGO – You won’t see many shows much more ambitious than NBC’s “Kings”. The multi-character drama borrows from the story of King David to create a tapestry piece about power, corruption, and war. It’s dense, layered, complex storytelling that you rarely see on network television.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

  • Interstellar

    CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.

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