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Eamonn Walker

TV Review: NBC’s ‘Chicago Fire’ Generates Little Heat

Chicago Fire

CHICAGO – I might be more forgiving of the dramatic failings of the saga of Matthew Casey if I had never met Tommy Gavin. For years, we felt the pain and drama of life as a firefighter on FX’s “Rescue Me,” and, while I had some issues with that show, it definitely casts NBC’s “Chicago Fire” in a different light. However, even without Denis Leary’s hit show, I don’t think this melodrama would work. It just doesn’t connect on a realistic level like we need shows like this to do. I don’t expect it to burn for long.

TV Review: ABC’s ‘The Whole Truth’ Promises Complete Dramatic Experience

The Whole Truth

CHICAGO – Every year, there’s a program or two for which it is strikingly easy to recognize exactly what people will love about it and what many will equally hate about it. Said programs are usually the product of creators with strong and identifiable styles and Jerry Bruckheimer is certainly one of those. Even casual fans would recognize his slick approach to the medium and your tolerance for that is going to determine your judgment on ABC’s “The Whole Truth,” a program that works for me but might not work for you.

TV Review: Ambitious ‘Kings’ With Ian McShane Unlike Anything Else on Network TV

HollywoodChicago.com Television Rating: 3.5/5.0
Television Rating: 3.5/5.0

CHICAGO – You won’t see many shows much more ambitious than NBC’s “Kings”. The multi-character drama borrows from the story of King David to create a tapestry piece about power, corruption, and war. It’s dense, layered, complex storytelling that you rarely see on network television.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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