Dystopia

Interview, Film Review: Um Tae-hwa and His ‘Concrete Utopia’

CHICAGO – There is a thoughtfulness in the top South Korean films that cannot be duplicated in any other cinema culture. Along with now classics like “Oldboy” and “Parasite,” another Korean visionary emerges with a story about humanity … co-writer and director Um Tae-hwa has created a “Concrete Utopia.” The film is in U.S. theaters on December 15th.

Film Review: Florence Pugh Captivates in ‘Don’t Worry Darling’

CHICAGO – A sure hand behind the camera and a dynamic performance from Florence Pugh help “Don’t Worry Darling” pull off an extremely difficult balancing act. This isn’t a perfect movie by any stretch of the imagination, but it inspires the kind of impressions and ideas that you will still be talking about a week later.

Film Review: Spaced Out! On-Air Review of ‘The Midnight Sky’

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 17th, 2020, reviewing the new film “The Midnight Sky,” which will stream on Netflix beginning December 23rd.

Film Review: ‘Maze Runner: The Death Cure’ Has Run Out of Life

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Film Review: Short Film ‘The Replacement’ at 53rd Chicago International Film Festival

Replacement, The

CHICAGO – The science fiction that we once knew, that we thought was impossible, is fast becoming everyday life. One short film that premiered at the 53rd Chicago International Film Festival – “The Replacement” – takes the concept of cloning, applying a chilling and symbolic twist to a science fiction that can also be interpreted in our current times as reality. “The Replacement” screens one more time as part of the “City & State” slate of shorts on Wednesday, October 25th, 2017 (details below).

Film Review: Good vs. Evil Brightly Entertaining in ‘The Dark Tower’

CHICAGO – Nobody does good vs. evil archetypes like author Stephen King, and this framework is purposeful in the film adaptation of King’s “The Dark Tower.” The popular book series gets a visual kick through the rendering of director Nikolaj Arcel and Ron Howard’s Imagine Entertainment.

Film Review: Glaring Lack of Originality Handicaps ‘The Bad Batch’

Bad Batch, The

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

Interview, Audio: Director Ana Lily Amirpour Stirs up ‘The Bad Batch’

CHICAGO – The dystopia – or negative future world – is a genre staple, from “Soylent Green” to “Max Max.” The latest film to ponder the possibilities is “The Bad Batch,” from writer/director Ana Lily Amirpour. This is her sophomore feature, after “A Girl Walks Home Alone at Night,” and features Suki Waterhouse in the lead role.

Interview: Jose Carlos Gomez Screens ‘Day 1’ at 2017 Beloit International Film Festival

Day 1 Walt Sloan

CHICAGO – The success of a local Chicago filmmaker is always cause for notoriety, and writer/director Jose Carlos Gomez will present his film “Day 1” as part of the programming for the 2017 Beloit (Wisconsin) International Film Festival on Saturday, February 25th (for more information, click here). “Day 1” is a post-apocalyptic thriller, and features Chicago actors Walt Sloan and Harold Dennis.

Film Review: ‘The 5th Wave’ Crashes, Then Slowly Dissipates

CHICAGO – Is there ever an end to the Young Adult Dystopia genre (“Hunger Games,” “Maze Runner,” etc.)? Or are we cursed with the end of the world every year, if it weren’t for those meddling kids? “The 5th Wave” is the latest adaptation, and if you haven’t read the source novel, good luck following it.

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