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Doug Jones

Film Review: ‘John Dies at the End’ Kills Its Own Creativity

CHICAGO – You’re at a party. It’s getting late. Chemicals have been ingested, booze has been imbibed, and conversation has been exhausted. You spot an interesting looking fella in the corner and he says he has a story to tell you. Maybe it’s the rush of something different, but the first half hour of that story is fascinating, filled with potential and creative in so many ways.

Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del Toro

CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.

New Production Photos Surface For ‘Hellboy II: The Golden Army’; Trailer Coming on Thursday

Hellboy II: The Golden Army

Three new production stills surfaced on Tuesday from IGN for “Hellboy II: The Golden Army”. In the first photo below on the left, we see the reveal of agent Johann Krauss. All images can be clicked for larger versions.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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