CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.
CHICAGO – The discovery of an outsider artist’s eccentric creations leads to the testing revelation of a public shame in “Almost There,” a definitively human documentary that mixes the idiosyncratic canvas of “Grey Gardens” with the compassion of “Hoop Dreams.” Making its Chicago premiere tomorrow night at the Gene Siskel Film Center, “Almost There” has sold out its 7:45pm screening, but tickets a
CHICAGO – Four years later, and the change that lamentably only comes from the casualties of life and livelihood has not reached the Gulf of Mexico. Director Margaret Brown’s documentary compassionately bestows a disillusioned voice to the affected individuals, from oil riggers to oyster shuckers, whose reliance on the gulf’s livelihood was devastated when BP spilled a total of 176 million gallons of oil over 87 days starting on April 20, 2010.
CHICAGO - Dan Harmon does not look very good in his documentary “Harmontown,” which is probably why he agreed to the project. The creator of NBC’s cult comedy “Community” is presented wantonly in this documentation of his tour across America to interact with his fans through live recordings of his podcast “Harmontown.”
CHICAGO – Not much is really revealed about the subject of the documentary “Supermensch: The Legend of Shep Gordon,” co-directed by comedian Mike Myers. Shep is a rock star agent, Shep gets rich, Shep shares his Hawaiian beach condo with big stars, Shep represents gourmet chefs, Shep likes to cook and Shep strangely wants kids, despite being in his sixties and not being able to maintain any domestic relationship. There is no there in this film, only the spoils of good representation.
CHICAGO – The funny thing about documentaries is that any goal of truly replicating reality, or the truth, is impossible. Unless a documentary film were to convey an experience with 360 degrees and 24/7 coverage (AKA life), it will always be a subjective endeavor. Documentary storytellers are always creating a point of view, simply by choosing where to point a camera, and where to cut a sequence.
CHICAGO – As modern life becomes more toxic and technology uses more chemicals within everyday foodstuffs and products, the consequence for disease and sickness as a result is an increasing threat. Ed Brown, a filmmaker and concerned family man, explores this phenomenon in a new documentary, “Unacceptable Levels.”
CHICAGO – We see the public service ads often – dogs and cats in captivity after neglect and abuse. The images parade by, and the sadness in their expressions are heartbreaking. The same can be said for killer whales in captivity, used for SeaWorld shows and exploited in “Blackfish.”
CHICAGO – It was all so innocent. Filmmaker Gabriela Cowperthwaite was curious about killer whale performances – think Shamu at SeaWorld – and began to do research. What she uncovered, to her total surprise, that there was a pattern to accidental deaths traced back to one whale. The result is her new documentary, “Blackfish.”
CHICAGO – What did you do during the 1970s, Daddy? After this Father’s Day, many adult kids might be asking that question after seeing “The Source Family.” This documentary is about a commune that began in California (naturally) in the 1970s, even after the infamous Manson Family.
CHICAGO – “The history of wine is fascinating” – This is only one of many things in the frustrating “Somm,” opening today in Chicago at the Music Box and accompanied by actual wine tastings in the theater, that we’re told but not really shown. I love wine. I drink it too often.