CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”
Interview: Producer Marla Gamze to Present ‘Artists of the First Sunrise’ in Chicago on Nov. 14, 2015Submitted by PatrickMcD on November 12, 2015 - 1:55pm
CHICAGO – The traditions and ceremony of our tribal past have eventually become homogenized in modern society. But there are some parts of the world where those traditions still exist, and much of it has a connection to art, dance, design, music and ritual. Executive Producer Marla Gamze is working on a new documentary – “Artists of the First Sunrise” – about the indigenous Aboriginal tribes of Australia, a native population that still bond to their tradition and expression.
CHICAGO – She burned like a firework in the sky, and just as quickly faded away. The unique voice of Amy Winehouse was fresh air into the music vacuum, and yet the delicate state of her destructive addictions succumbed to a sudden notoriety. Director Asif Kapadia and producer James Gay-Rees tell her story in ‘Amy.’
CHICAGO – One of the more emotionally stunning screenings at the Chicago Critics Film Festival (CCFF) was a film about a comedian. Barry Crimmins is a beloved comic, with a stable of famous friends. But he also had a secret in his past, and it’s all explored in “Call Me Lucky,” directed by fellow comic traveler Bobcat Goldthwait.
CHICAGO – How often can we learn life lessons from the most unlikely of sources? The documentary “Red Army” is one such source, as director Gabe Polsky tells the story of the Soviet Union hockey team, which expands to the the very parameters of human nature and competition.
CHICAGO – Every red-blooded American has been told the story of the “Miracle on Ice,” the 1980 Winter Olympic upset of the mighty Soviet Union hockey team by Team USA. But who were the Soviet players? Why were they the best in the world? Director Gabe Polsky explores these questions in the documentary “Red Army.”
CHICAGO – The discovery of an outsider artist’s eccentric creations leads to the testing revelation of a public shame in “Almost There,” a definitively human documentary that mixes the idiosyncratic canvas of “Grey Gardens” with the compassion of “Hoop Dreams.” Making its Chicago premiere tomorrow night at the Gene Siskel Film Center, “Almost There” has sold out its 7:45pm screening, but tickets a
CHICAGO – Four years later, and the change that lamentably only comes from the casualties of life and livelihood has not reached the Gulf of Mexico. Director Margaret Brown’s documentary compassionately bestows a disillusioned voice to the affected individuals, from oil riggers to oyster shuckers, whose reliance on the gulf’s livelihood was devastated when BP spilled a total of 176 million gallons of oil over 87 days starting on April 20, 2010.
CHICAGO - Dan Harmon does not look very good in his documentary “Harmontown,” which is probably why he agreed to the project. The creator of NBC’s cult comedy “Community” is presented wantonly in this documentation of his tour across America to interact with his fans through live recordings of his podcast “Harmontown.”
CHICAGO – Not much is really revealed about the subject of the documentary “Supermensch: The Legend of Shep Gordon,” co-directed by comedian Mike Myers. Shep is a rock star agent, Shep gets rich, Shep shares his Hawaiian beach condo with big stars, Shep represents gourmet chefs, Shep likes to cook and Shep strangely wants kids, despite being in his sixties and not being able to maintain any domestic relationship. There is no there in this film, only the spoils of good representation.
CHICAGO – The funny thing about documentaries is that any goal of truly replicating reality, or the truth, is impossible. Unless a documentary film were to convey an experience with 360 degrees and 24/7 coverage (AKA life), it will always be a subjective endeavor. Documentary storytellers are always creating a point of view, simply by choosing where to point a camera, and where to cut a sequence.