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D.J. Caruso

Blu-Ray Review: Derivative, Generic ‘I Am Number Four’

I Am Number Four

CHICAGO – Very few films have felt more made my a movie-making machine than the dull “I Am Number Four,” a film that hopes so desperately to feel like something that you’ve seen before and that you’ll like the familiarity that it never develops a personality of its own. With a dull lead, lackluster romance, goofy dialogue, and melodramatic storytelling, “I Am Number Four” disappoints in nearly every way that a movie can.

Film Review: Michael Bay-Produced ‘I Am Number Four’ a Solid Block of Superhero Gouda

CHICAGO – While the new sci-fi/superhero film “I Am Number Four” can be easily dismissed as yet another “Twilight” knockoff, the power of two mega-producers arms the film with nearly as much right as it does wrong.

Blu-Ray Review: ‘Eagle Eye’ Makes Modern Paranoia Ridiculous

Eagle Eye

CHICAGO – “Eagle Eye,” the second collaboration between new star Shia LaBeouf and director D.J. Caruso after the surprise success of “Disturbia,” isn’t nearly as successful a diversion, stretching the very concept of suspension of disbelief to the breaking point.

Confirmed: ‘Eagle Eye’ Filming in Chicago From Nov. 6 to 16

Shia LaBeouf (left) and Billy Bob Thornton

Since actor Shia LaBeouf popped up on the Chicago grid this weekend and was arrested following an incident at a Walgreens on the Magnificent Mile, we questioned which film he was in town to film.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • RoboCop with Joel Kinnaman

    CHICAGO – After years of being envisioned with numerous directors (“Noah’s” Darren Aronofsky was once attached), a new version of “RoboCop” has arrived. While the original 80s classic stood out for its foresight into current cultural turmoil, this remake is more a product of movies of the past, and to be more specific, our recent beloved superhero movies.

  • 25th Hour

    Who of our modern filmmakers will justify lavish, career-spanning box sets in the next generation (presuming there is such a thing and we’re not 100% digital)? We’ve seen Oliver Stone, Martin Scorsese, and Alfred Hitchcock sets in recent years but who will get the same treatment in ten or twenty years?

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