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D.J. Caruso

Blu-Ray Review: Derivative, Generic ‘I Am Number Four’

I Am Number Four

CHICAGO – Very few films have felt more made my a movie-making machine than the dull “I Am Number Four,” a film that hopes so desperately to feel like something that you’ve seen before and that you’ll like the familiarity that it never develops a personality of its own. With a dull lead, lackluster romance, goofy dialogue, and melodramatic storytelling, “I Am Number Four” disappoints in nearly every way that a movie can.

Film Review: Michael Bay-Produced ‘I Am Number Four’ a Solid Block of Superhero Gouda

CHICAGO – While the new sci-fi/superhero film “I Am Number Four” can be easily dismissed as yet another “Twilight” knockoff, the power of two mega-producers arms the film with nearly as much right as it does wrong.

Blu-Ray Review: ‘Eagle Eye’ Makes Modern Paranoia Ridiculous

Eagle Eye

CHICAGO – “Eagle Eye,” the second collaboration between new star Shia LaBeouf and director D.J. Caruso after the surprise success of “Disturbia,” isn’t nearly as successful a diversion, stretching the very concept of suspension of disbelief to the breaking point.

Confirmed: ‘Eagle Eye’ Filming in Chicago From Nov. 6 to 16

Shia LaBeouf (left) and Billy Bob Thornton

Since actor Shia LaBeouf popped up on the Chicago grid this weekend and was arrested following an incident at a Walgreens on the Magnificent Mile, we questioned which film he was in town to film.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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