CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
HollywoodChicago.com Hookup: Bring a Sister! 40 Pairs of Passes to ‘Sisters’ With Amy Poehler, Tina FeySubmitted by HollywoodChicago.com on December 13, 2015 - 4:32pm
CHICAGO – Bring your sister! In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new comedy “Sisters” starring Amy Poehler and Tina Fey! Bring your biological or sorority sister!
CHICAGO – “The Odd Life of Timothy Green” is the sort of extravagantly wrong-headed misfire that perhaps only could’ve been made by talented people. The director is Peter Hedges, an accomplished screenwriter best known for adapting his excellent book, “What’s Eating Gilbert Grape,” for the big screen. The ensemble cast reads like a roll call of America’s most reliable character actors.
CHICAGO – “Darling Companion” may be the first film consisting entirely of footage resembling the background action in an erectile dysfunction commercial. It has the score of a Campbell’s ad, the premise of a Hallmark card and the script of a self-parodying Lifetime dud. Side effects may include headaches, irritability and a guaranteed loss of interest.
CHICAGO – Peter Hedges’ “The Odd Life of Timothy Green” has a warm, gooey center that’s admirable in a family movie way but what’s around it can’t hold together as the lack of focus in the narrative and the rather grating performance from the young man playing its title character causes it to annoy more than entertain.
CHICAGO – “If you want a friend in Washington,” Harry S. Truman once said, “get a dog.” The same can be said for the film industry, as they keep producing canine quandaries. Diane Keaton, Kevin Kline, Sam Shepard and Elisabeth Moss cozy up to their own ‘Darling Companion.’
CHICAGO – Given the wacky nature of Owen Wilson, Jack Black, and Steve Martin in their family comedies and the tendency of all three talented actors to over-act, people will probably be surprised at how generally-subdued their collaboration on “The Big Year” ended up. In fact, while the movie is genial and good-natured, it’s also surprisingly dull. The characters never resonate beyond their descriptions - rookie, veteran, and the jerk in between. So, while the filmmakers deserve credit for not injecting the proceedings with gross-out humor, they needed to inject it with something to bring it to life.
CHICAGO – “The Big Year” is advertised as a comedy. The subject is bird watching, or as the new film likes to express the proper term, “birding.” It stars comic legend Steve Martin, and funnymen Jack Black and Owen Wilson. It is both not funny and is ACTUALLY, seriously about birding. Time to fly away.
HollywoodChicago.com Hookup: 40 Pairs of Chicago Passes to ‘The Big Year’ With Jack Black, Steve MartinSubmitted by HollywoodChicago.com on October 4, 2011 - 12:15am
CHICAGO – In our latest comedy edition of HollywoodChicago.com Hookup: Film, we have 40 admit-two movie passes up for grabs to the advance Chicago screening of “The Big Year” with Jack Black, Steve Martin and Owen Wilson from “The Devil Wears Prada” director!
CHICAGO – We weren’t kind enough to “Rabbit Hole.” Sometimes it takes years to realize when a film has fallen under the critical radar. Sometimes it’s only a few months. With the press assault for films like “Black Swan,” “True Grit,” and “The King’s Speech,” one of the absolute best films of 2010 fell under the radar.
CHICAGO – John Cameron Mitchell’s “Rabbit Hole” tells a story not uncommon to cinema in its exploration of the emotional minefield that comes after the loss of a child but it does so with such restraint and humanity that it sets itself apart. With some of the best performances of the year from Nicole Kidman, Aaron Eckhart, and Dianne Wiest, this is one of the strongest dramas of the awards season.