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Dianna Agron

Film Review: ‘The Family’ Whacks Obsession with Mafia Movies

CHICAGO – “The Godfather” saga, “Goodfellas,” “Donnie Brasco,” “The Departed” – the list of America’s obsessive adoration of organized crime and mafia movies goes on and on. Finally, one film comes along to virtually kill the genre, the almost-unwatchable “The Family.”

HollywoodChicago.com Hookup: 25 Pairs of Passes to ‘The Family’ with Robert De Niro, Michelle Pfeiffer

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening movie passes up for grabs to the highly anticipatedThe Family” starring Robert De Niro from executive producer Martin Scorsese!

Film News: Paramount Releases First-Look Image For ‘Paranormal Activity 4’

CHICAGO – While the plot for the highly anticipated “Paranormal Activity 4” still remains undisclosed, Paramount Pictures gives us a new clue today with the release of the film’s first-look production still!

Blu-ray Review: Third Season of FOX Hit ‘Glee’

Glee S3

CHICAGO – The kids of “Glee” are back a little early this year as FOX has released the third season of the hit musical comedy earlier than the wave of TV-on-Blu-ray releases that are about to hit stores. This season was a bit of a letdown after the first two, earning much fewer Emmy nominations and sliding pretty far in the ratings. And the Blu-ray release feels like a step down from previous years as well. True fans will be happy but newcomers should obviously start with seasons one or two.

Exclusive Portrait: ‘Glee’ Star Jane Lynch Pushes New Book ‘Happy Accidents’

Jane Lynch, Portrait by Joe Arce

CHICAGO – It’s no accident that Jane Lynch is one of hottest performers of the moment, despite the title of her new book, “Happy Accidents.” The talented and hilarious Ms. Lynch memorably portrays Sue Sylvester on the popular FOX show, “Glee,” and had time to host the Emmys this year.

Film Review: Pop Idolatry Lives in ‘Glee: The 3D Concert Movie’

CHICAGO – Gleeks Unite! You have nothing to fear from “Glee: The 3D Concert Movie,” except the extra fee for those glasses. This film charms through it’s fabulous cast of singers and personalities singing jukebox hits.

Blu-Ray Review: Derivative, Generic ‘I Am Number Four’

I Am Number Four

CHICAGO – Very few films have felt more made my a movie-making machine than the dull “I Am Number Four,” a film that hopes so desperately to feel like something that you’ve seen before and that you’ll like the familiarity that it never develops a personality of its own. With a dull lead, lackluster romance, goofy dialogue, and melodramatic storytelling, “I Am Number Four” disappoints in nearly every way that a movie can.

Film Review: Michael Bay-Produced ‘I Am Number Four’ a Solid Block of Superhero Gouda

CHICAGO – While the new sci-fi/superhero film “I Am Number Four” can be easily dismissed as yet another “Twilight” knockoff, the power of two mega-producers arms the film with nearly as much right as it does wrong.

TV Review: Beloved ‘Glee’ Returns With Stellar Episode

CHICAGO – We have written here several times about the genius of “Glee” (in May and again in September), but with the show having been off the air for a few weeks so the Yankees could win another World Series, we thought it was a good time to assess how the show has been progressing by taking an advanced look at tonight’s episode, the wonderful “Wheels”.

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  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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