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Interview: Crispin Glover Brings ‘Big Slide Show’ to Chicago

CHICAGO – Nobody puts actor Crispin Hellion Glover in a corner. The eclectic and insightful performer is also a filmmaker, musician and author, and he brings all those elements to Chicago with the presentation of his “Big Slide Show” at the Patio Theater, 6008 Irving Park Road, on Friday, February 7th, 2014.

Blu-ray Review: TV Fans Need to See ‘Johnny Carson: King of Late Night’

American Masters Johnny Carson

CHICAGO – Any list of the most influential and important people in the history of television that doesn’t include Johnny Carson is simply incomplete. He was SUCH a force in the medium, coming into the homes of millions every night. That’s why so many luminaries came out to speak about the man in the excellent “American Masters” documentary “Johnny Carson: King of Late Night,” recently released on Blu-ray and DVD.

TV Review: ‘American Masters Johnny Carson: King of Late Night’

CHICAGO – There is arguably no icon on a higher pedestal in the history of television than Johnny Carson, the man who didn’t just host “The Tonight Show” for three decades but became a cultural fixture. We let Johnny into our homes and trusted him in ways that I believe just can’t happen again in a more cynical TV age. He was a nightly visitor for millions and the new PBS documentary about him, “American Masters Johnny Carson: King of Late Night,” is one of the best TV history documentaries yet produced.

Film Review: Joaquin Phoenix, Casey Affleck Annoy in Worthless ‘I’m Still Here’

CHICAGO – Is “I’m Still Here,” the story of Joaquin Phoenix’s attempts to leave behind his acting career and try to make it as a hip-hop star, an elaborate piece of performance art or a documentary about an identity crisis of a man committing professional suicide? The problem is that the answer is irrelevant. Either way, “I’m Still Here” is grating, boring, and completely without value.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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