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David Gordon Green

Film Review: Sandra Bullock Bombs in Bad ‘Our Brand is Crisis’

CHICAGO – This misbegotten political satire shows almost as much contempt for its audience as its characters do for the politicians they’re supposed to be helping. This movie thinks it is smartly cynical, but it’s about as smart as a Larry the Cable Guy routine at a Donald Trump rally.

Film Review: Captivating Tale of Primal Manhood in David Gordon Green’s ‘Joe’

Joe - Nicolas Cage & Tye Sheridan

CHICAGO – This week in movies about men we have “Joe”, a wild drama about Texas males at their most primal. It is the newest film from director David Gordon Green, and features Nicolas Cage in some of his finest work.

Interview: Director David Gordon Green, Tye Sheridan Talk ‘Joe’

CHICAGO – When traveling on a Nicolas Cage trip, it’s best to buckle up. Director David Gordon Green collaborated with Cage on the new film, “Joe,” and actor Tye Sheridan (“Tree of Life,” “Mud”) was Cage’s teenage co-star. Cage portrays the title character, a reformed hellraiser who can’t help but have sympathy for a lost soul.

Blu-ray Review: ‘George Washington’ Re-Release Recalls Introduction of Great Director

George Washington picture.jpg

CHICAGO – Before “Snow Angels”, “Prince Avalanche”, or even “The Sitter”, director David Gordon Green flexed his film school muscles in his unabashed inauguration, “George Washington”. Eying its body, the 2000 film shares qualities other first-timers huff when trying to be taken seriously by the arthouse crowd. Especially with the films that were assuredly motivated by Green’s work like 2012’s “Beasts of the Southern Wild”, “George Washington” celebrates storytelling instruments like whimsical young voiceover, shots that are equally distinct & questionable, and the raw potential of non-actors.

Film Review: Deep Two Character Drama Flavors ‘Prince Avalanche’

CHICAGO – Take actors Paul Rudd and Emile Hirsch, make them highway line painters, put them in a fire-ravaged woodland and the makings for a savory two character portrait is realized in “Prince Avalanche.” David Gordon Green adapted and directed this appealingly offbeat art film.

Interview: Director David Gordon Green Crowns ‘Prince Avalanche’

CHICAGO – Director David Gordon Green has created a variety of popular and revered movies – from his breakthrough “George Washington” (2000) to his latest, the uniquely titled “Prince Avalanche.”

Blu-ray Review: Jonah Hill Continues His Plans For Movie Domination with ‘The Sitter’

The Sitter

CHICAGO – Jonah Hill is EVERYWHERE. He was just on the Oscars for his nominated work in “Moneyball,” his work in “21 Jump Street” still stands high on the box office chart, and previews for “Neighborhood Watch” with Ben Stiller & Vince Vaughn have been lighting up theaters. And then there’s “The Sitter,” probably the least of these four films but a reasonable rental if you’re looking for a new comedy and a Blu-ray release that comes with some pretty funny deleted scenes and other bonus material.

Film Review: Jonah Hill Gets Lost in Mediocre ‘The Sitter’

CHICAGO – David Gordon Green’s “Your Highness” was like a punch to the gut – an unqualified train wreck from someone who had been correctly dubbed one of the best working filmmakers. His same-year follow-up, “The Sitter,” opening this weekend, is far less disastrous but similarly disappointing in that it displays flaws that the talented director never showed even hints of previous to 2011.

HollywoodChicago.com Hookup: 30 Pairs of Chicago Passes to Jonah Hill’s Twisted Comedy ‘The Sitter’

CHICAGOWorst. Babysitter. Ever. In our latest “R”-rated comedy edition of HollywoodChicago.com Hookup: Film, we have 30 admit-two movie passes up for grabs to the twisted “R”-rated Jonah Hill comedy “The Sitter” from the “Pineapple Express” director!

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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