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Dash Mihok

TV Review: Showtime’s ‘Ray Donovan’ is Next Great Drama

Ray Donovan

CHICAGO – “I like you. You say what you mean.” Showtime’s brilliant new show, “Ray Donovan,” is titled after a straightshooter in a town where no one is honest; a problem solver in a place built on mountains of problems. Ann Biderman’s stunning drama (directed and produced by “Sopranos” vet Allen Coulter) is the kind of dense patchwork quilt of character and theme that separate great shows from merely good ones.

Film Review: Horrendous ‘Trespass’ With Nicolas Cage, Nicole Kidman

CHICAGO – Joel Schumacher’s “Trespass” represents a new low for the often divisive and (lately) horrendous director of such gems as “The Number 23,” “The Phantom of the Opera,” “Bad Company,” “8MM,” “Batman & Robin,” and “Batman Forever.”

DVD Review: Terrence Malick’s Beloved ‘The Thin Red Line’ Joins Criterion

The Thin Red Line

CHICAGO – Whenever two power players in the world of cinephiles come together, it creates a critical buzz and such was the case when it was announced that The Criterion Collection had chosen Terrence Malick’s “The Thin Red Line” for induction in their world-renowned series of DVDs and Blu-rays.

Blu-Ray Review: Marvel Character Strikes Out Swinging With ‘Punisher: War Zone’

Punisher
HollywoodChicago.com Blu-Ray Rating: 3.0/5.0
Blu-Ray Rating: 3.0/5.0

CHICAGO – It’s officially a strikeout for Marvel’s The Punisher, a character now featured in not one, not two, but three bad movies of his very own. Dolph Lundgren swung wildly and missed with his “The Punisher” and Thomas Jane nearly connected but went foul with his reboot of the franchise. Now, Ray Stevenson is the latest actor to fail to connect with this legendary character in “Punisher: War Zone,” now available on Blu-Ray.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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