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Danny Boyle

Film Review: ‘T2 Trainspotting’ is a Nostalgic Trip That Stays on the Rails


CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.

Interview: Director Danny Boyle Goes Back to ‘T2 Trainspotting’

CHICAGO – Rarely does a filmmaker have a long or influential enough career to revisit a story and characters that they’ve explored in a previous film. Oscar winner Danny Boyle has both qualifications, as he again takes on – 20 years after its 1996 release – his classic film “Trainspotting, which is elegantly titled “T2 Trainspotting.”

Film Review: Expansive ‘Steve Jobs’ is a Marvel of a Movie

CHICAGO – You don’t need CGI, entire cities being turned to rubble, or an army of assembling Avengers to make a great movie. All you need is a good story to tell and a team of people talented enough to tell it. Writer Aaron Sorkin, and Director Danny Boyle are just the right people to make “Steve Jobs” because their finished project positively springs to life on the screen.

Blu-ray Review: Danny Boyle’s ‘Trance’ Isn’t Hypnotizing Enough


CHICAGO – It may sound harsh but “Trance” will be a mere footnote in the career of Danny Boyle. It’s neither one of his best but also far from his worst film. The mega-talented director of “Shallow Grave,” “Trainspotting,” and “127 Hours” brings his confident style to the film but the convoluted script turns in on itself so many times that I think even Boyle got a little bored with it. Rosario Dawson overplays but Vincent Cassel once again intrigues and James McAvoy delivers. It will be a footnote for them all.

Film Review: Danny Boyle Nearly Mesmerizes with ‘Trance’

CHICAGO – Danny Boyle’s “Trance” is an undeniably well-made thriller that works back in on itself a few too many times for disbelief to stay suspended but delivers enough escapist entertainment to be considered a success. It’s totally ridiculous and yet never boring, propelled by the quick-cut style of the man who brought similar momentum to “Shallow Grave,” “Trainspotting,” and “28 Days Later.”

DVD Review: Danny Boyle’s Memorable Debut in Hitchcockian ‘Shallow Grave’

Shallow Grave

CHICAGO – Danny Boyle’s “Shallow Grave,” recently released on Criterion Blu-ray and DVD, is such a striking debut and has held up significantly better than many films of its day. Not only does it fully display future Oscar winner Danny Boyle’s notable degree of style but it’s a daring film in its willingness to present unlikable characters caught in a situation that they arguably deserve.

Film News: Danny Boyle’s ‘Frankenstein’ to Screen at Chicago’s Music Box Theatre

National Theatre Live's Frankenstein

CHICAGO – Mary Shelley’s infamous monster is alive and well in Nick Dear’s acclaimed new stage adaptation set to be screened worldwide. It’s the latest installment of National Theatre Live, a series of high definition filmed performances released theatrically, courtesy of Britain’s National Theatre.

DVD Review: Danny Boyle’s Excellent ‘127 Hours’ Retains Dramatic Power

127 Hours

CHICAGO – Danny Boyle’s “127 Hours” came to theaters, originally in the Windy City as a part of the Chicago International Film Festival, with such fanfare and controversy over its notorious arm-cutting scene that it had almost the force of nature when it first screened. It was a visceral punch to the gut. I wondered how it would play, months later, on the couch instead of in a theater seat. It still works. Boyle’s film is still a dramatically powerful piece of work with a career-best performance from the great James Franco.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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