CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.
CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.
CHICAGO – Rarely does a filmmaker have a long or influential enough career to revisit a story and characters that they’ve explored in a previous film. Oscar winner Danny Boyle has both qualifications, as he again takes on – 20 years after its 1996 release – his classic film “Trainspotting, which is elegantly titled “T2 Trainspotting.”
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated sequel “T2 Trainspotting” starring Ewan McGregor!
CHICAGO – You don’t need CGI, entire cities being turned to rubble, or an army of assembling Avengers to make a great movie. All you need is a good story to tell and a team of people talented enough to tell it. Writer Aaron Sorkin, and Director Danny Boyle are just the right people to make “Steve Jobs” because their finished project positively springs to life on the screen.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the highly anticipated biography “Steve Jobs” starring Michael Fassbender from Oscar-winning director Danny Boyle!
CHICAGO – It may sound harsh but “Trance” will be a mere footnote in the career of Danny Boyle. It’s neither one of his best but also far from his worst film. The mega-talented director of “Shallow Grave,” “Trainspotting,” and “127 Hours” brings his confident style to the film but the convoluted script turns in on itself so many times that I think even Boyle got a little bored with it. Rosario Dawson overplays but Vincent Cassel once again intrigues and James McAvoy delivers. It will be a footnote for them all.
CHICAGO – Danny Boyle’s “Trance” is an undeniably well-made thriller that works back in on itself a few too many times for disbelief to stay suspended but delivers enough escapist entertainment to be considered a success. It’s totally ridiculous and yet never boring, propelled by the quick-cut style of the man who brought similar momentum to “Shallow Grave,” “Trainspotting,” and “28 Days Later.”
CHICAGO – Danny Boyle’s “Shallow Grave,” recently released on Criterion Blu-ray and DVD, is such a striking debut and has held up significantly better than many films of its day. Not only does it fully display future Oscar winner Danny Boyle’s notable degree of style but it’s a daring film in its willingness to present unlikable characters caught in a situation that they arguably deserve.
CHICAGO – Mary Shelley’s infamous monster is alive and well in Nick Dear’s acclaimed new stage adaptation set to be screened worldwide. It’s the latest installment of National Theatre Live, a series of high definition filmed performances released theatrically, courtesy of Britain’s National Theatre.
CHICAGO – Danny Boyle’s “127 Hours” came to theaters, originally in the Windy City as a part of the Chicago International Film Festival, with such fanfare and controversy over its notorious arm-cutting scene that it had almost the force of nature when it first screened. It was a visceral punch to the gut. I wondered how it would play, months later, on the couch instead of in a theater seat. It still works. Boyle’s film is still a dramatically powerful piece of work with a career-best performance from the great James Franco.