CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – You don’t need CGI, entire cities being turned to rubble, or an army of assembling Avengers to make a great movie. All you need is a good story to tell and a team of people talented enough to tell it. Writer Aaron Sorkin, and Director Danny Boyle are just the right people to make “Steve Jobs” because their finished project positively springs to life on the screen.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the highly anticipated biography “Steve Jobs” starring Michael Fassbender from Oscar-winning director Danny Boyle!
CHICAGO – It may sound harsh but “Trance” will be a mere footnote in the career of Danny Boyle. It’s neither one of his best but also far from his worst film. The mega-talented director of “Shallow Grave,” “Trainspotting,” and “127 Hours” brings his confident style to the film but the convoluted script turns in on itself so many times that I think even Boyle got a little bored with it. Rosario Dawson overplays but Vincent Cassel once again intrigues and James McAvoy delivers. It will be a footnote for them all.
CHICAGO – Danny Boyle’s “Trance” is an undeniably well-made thriller that works back in on itself a few too many times for disbelief to stay suspended but delivers enough escapist entertainment to be considered a success. It’s totally ridiculous and yet never boring, propelled by the quick-cut style of the man who brought similar momentum to “Shallow Grave,” “Trainspotting,” and “28 Days Later.”
CHICAGO – Danny Boyle’s “Shallow Grave,” recently released on Criterion Blu-ray and DVD, is such a striking debut and has held up significantly better than many films of its day. Not only does it fully display future Oscar winner Danny Boyle’s notable degree of style but it’s a daring film in its willingness to present unlikable characters caught in a situation that they arguably deserve.
CHICAGO – Mary Shelley’s infamous monster is alive and well in Nick Dear’s acclaimed new stage adaptation set to be screened worldwide. It’s the latest installment of National Theatre Live, a series of high definition filmed performances released theatrically, courtesy of Britain’s National Theatre.
CHICAGO – Danny Boyle’s “127 Hours” came to theaters, originally in the Windy City as a part of the Chicago International Film Festival, with such fanfare and controversy over its notorious arm-cutting scene that it had almost the force of nature when it first screened. It was a visceral punch to the gut. I wondered how it would play, months later, on the couch instead of in a theater seat. It still works. Boyle’s film is still a dramatically powerful piece of work with a career-best performance from the great James Franco.
HollywoodChicago.com Hookup: 25 Anytime Chicago Passes to ‘127 Hours’ From Oscar-Winning Director Danny BoyleSubmitted by HollywoodChicago.com on November 17, 2010 - 11:35pm
CHICAGO – The film recently hit theaters, but we’re excited to present 25 admit-two run-of-engagement tickets so you can see one of HollywoodChicago.com’s most-raved films of 2010: “127 Hours” from Danny Boyle (the Oscar-winning director of “Slumdog Millionaire”)! And in this HollywoodChicago.com Hookup: Film, you can even see the incredible true story of Aron Ralston (as portrayed by James Franco) for free at the convenient time of your choosing!
CHICAGO – In various interviews over the years, British filmmaker Danny Boyle has expressed his belief that “your first film is your best film.” It may not be the most technically accomplished or dramatically satisfying work, but it marks a crucial period of freshness and experimentation, as the rookie director becomes acquainted with the creative challenges of feature film production.
CHICAGO – What separates us during extreme danger? Why do some people collapse under the weight of likely death while others push forward and make it out alive? What fuels the will to survive to the point that it can do the unimaginable?