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Daniella Alonso

HollywoodChicago.com Hookup: 25 Pairs of Advance-Screening TV Passes to J.J. Abrams’ ‘Revolution’

CHICAGO – In the latest HollywoodChicago.com Hookup: TV with our unique social giveaway technology, we have 25 pairs of advance-screening TV passes up for grabs for NBC’s new TV pilot “Revolution” from “Iron Man” director Jon Favreau and executive producer J.J. Abrams!

TV Review: ABC’s ‘My Generation’ Wastes Talented Cast on Cliche

My Generation

CHICAGO – The new ABC dramedy “My Generation” is all concept and no execution. Creator Noah Hawley (the vastly-superior “The Unusuals”) came up with an idea and found a talented cast and the creativity died shortly thereafter. The foundation is a clever and inspired one but the writing staff adds nothing more than cliche to it, piling on characters who feel barely two-dimensional and rarely finding a genuine moment in the lackluster and bloated series premiere.

HollywoodChicago.com Hookup: 50 Passes to ‘The Collector’ Screening in Chicago

The Collector

CHICAGO – In our latest edition of HollywoodChicago.com Hookup: Film, we have 50 admit-one passes up for grabs to the Chicago screening of “The Collector,” which stars Madeline Zima, Andrea Roth, Josh Stewart, Daniella Alonso, Robert Wisdom, Michael Reilly Burke, Juan Fernández and Gregory Alan Williams from the writers of “Saw IV,” “Saw V” and “Saw VI”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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