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Damon Wayans Jr.

TV Review: Impressive ‘New Girl’ Perfect For Zooey Deschanel

CHICAGO – Is there anybody in show business that knows their character and personality profile better than Zooey Deschanel? Her accessible, quirky persona – evident in “(500) Days of Summer” – scores big time again with the new sitcom “New Girl,” premiering September 20th on FOX.

TV Review: ABC’s Comedy ‘Happy Endings’ Breaks Streak of Awful ‘Friends’ Rip-Offs

CHICAGOABC’s new sitcom “Happy Endings” is undeniably yet another “Friends” rip-off, an attempt to make a pal-com about relationships, misunderstandings, and good buddies. I’ve seen enough of these things that I automatically get a bit defensive when they appear on my desk. If you sat through junk like “Traffic Light” and “Perfect Couples,” you would too.

Blu-Ray Review: Funny ‘The Other Guys’ With Will Ferrell, Mark Wahlberg

The Other Guys

CHICAGO – What does a smart man like Will Ferrell do after a total disaster like “Land of the Lost”? Return to the man who has proven that he knows how to use him best, regular collaborator Adam McKay (“Anchorman,” “Talladega Nights,” “Step Brothers”), delivering the laughs that his fans have come to expect and even a few that they won’t see coming. Recently released on DVD and Blu-ray, “The Other Guys” is a funny movie with a few too many jokes that hit the floor to be considered great but an entertaining diversion nonetheless.

Film Review: Will Ferrell, Mark Wahlberg Partner in Cop Farce ‘The Other Guys’

CHICAGO – While a cop film take-off is filed under the fish-in-a-barrel category, writer/director Adam McKay manages to spin some absurd gold threads into the thin blue cloth. In other words, Will Ferrell and Mark Wahlberg are damn funny in this all-in cop farce, with enough familiar co-star support to prop up the whole enchilada.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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