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Connie Britton

Film Review: Ever-Present Passion in ‘Me and Earl and the Dying Girl’

CHICAGO – There are feelings encoded in a film, imparted by the creators, which sometimes takes a while to become apparent. “Me and Earl and the Dying Girl” is an example, with a deceptive surface story that contains an ocean of feelings and emotions within its passionate core.

Interview: Director Alfonso Gomez-Rejon of ‘Me and Earl and the Dying Girl’

Me and Earl and the Dying Girl Director

CHICAGO – In my second meeting with director Alfonso Gomez-Rejon, I was struck by his almost child-like wonder regarding his breakout film, “Me and Earl and the Dying Girl.” Gomez-Rejon bleeds celluloid, and loves films in every fiber of his being. To be able to contribute to the cinema universe is his greatest reward.

Interview: Three Young Actors Are ‘Me and Earl and the Dying Girl’

CHICAGO – Every so often, a movie makes a huge splash in the ocean of releases, and “Me and Earl and the Dying Girl” is a prime example. Both the jury winner and the audience favorite at the Sundance Film Festival, the film features Thomas Mann (Me), RJ Cyler (Earl) and Olivia Cooke (Dying Girl) as the title characters.

Film Review: Unoriginal, Unfunny ‘This is Where I Leave You’ a Poor Man’s ‘August: Osage County’

CHICAGO – Jason Bateman and an all-star cast got me there. The unfunny copycat story left me regretting it. If you don’t start with a solid plot that’s at least somewhat new, it doesn’t matter how many “A”-listers you throw into an ensemble. They’re just individuals doing the best they can with weak material.

TV Review: Connie Britton Carries a Dramatic Tune to ‘Nashville’


CHICAGO – It seems unlikely to be the artistic accomplishment of “Friday Night Lights” or “American Horror Story,” but Connie Britton has done it again, bringing another character vibrantly to life on “Nashville” and cementing her position as one of the best actresses on television. She’s easily the best thing about this entertaining if inconsistent show, a program that too often submits to its soap opera trappings but has enough rhythm to presume that it could be a solid weekly diversion.

Blu-ray Review: ‘American Horror Story: The Complete First Season’

American Horror Story

CHICAGOFX’s “American Horror Story” was one of the most addictive programs of 2011 (and my choice for the 7th best) and that season is finally here in time to catch up before the October 17th premiere of the second season of Ryan Murphy’s Emmy-winning hit. So creative, so edgy, and so mesmerizing, “AHS” is just daring storytelling, further evidence that FX is giving talented people freedom to express themselves in ways that other networks just are not.

Film Review: ‘Seeking a Friend for the End of the World’ with Steve Carell Can’t Find Honest Emotion

CHICAGO – Lorene Scafaria’s “Seeking a Friend for the End of the World” is a manipulative mess that’s only slightly redeemed by yet-another engaging performance from one of the best actresses of her generation.

TV Review: FX’s ‘American Horror Story’ Mixes Sex With Supernatural

CHICAGO – Ryan Murphy (“Nip/Tuck,” “Glee”) returns to the network that turned him into a star with this week’s premiere of the highly-anticipated “American Horror Story,” a new FX series that mixes sex with the supernatural to create something truly unique. The show’s very existence feels like it could be inspired by HBO’s “True Blood” (another show with horror and sex).

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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